让-杜布菲作品中的美学和表现特征

Al-Academy Pub Date : 2023-12-15 DOI:10.35560/jcofarts1162
Raed Hassan Mikhilif, Sahib Jassim Hassan Al Bayati
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引用次数: 0

摘要

研究提出的标签是(让-杜布菲作品中的审美和表现特征),因此研究目标是:了解(让-杜布菲)作品中的审美和表现特征,研究包括四个章节。研究目的、研究范围和术语定义。第二章包括四个专题。第一个主题介绍了美学的本质和风格,第二个主题涉及表现主义:概念和意义上的方法,第三个主题专注于介绍现代性及超越现代性的绘画中的美学和表现力,第四个主题涉及让-杜布菲和他的经验:让-杜布菲和原始艺术的体验。第三章是研究程序。为了达到研究目的,第四章得出了一些结果,包括:1- 在所有样本中都体现了审美和表现特征,包括:本能/情感/情绪/暴力/疯狂/庸俗/丑陋/扭曲/反叛/大胆/研究、实验和创新。2- 他的作品和艺术经验的价值体现在他对源自儿童、精神病人和囚犯产品的原始艺术的兴趣和喜爱。他认为原始艺术和大众艺术是他审美价值的源泉,牺牲了一切美学和哲学概念,如模型(1 和 3)所示。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Aesthetic and expressive characteristics in the works of Jean Dubuffet
The research presented the tagged (aesthetic and expressive characteristics in the works of Jean Dubuffet), so the research objective was: to know the aesthetic and expressive characteristics in the works of (Jean Dubuffet), and the research included four chapters. The aim of the research, the limits of the research, and the definition of terms. The second chapter included four topics. The first topic presented the aesthetic essence and style, while the second topic dealt with expressionism: approaches in concept and meaning.While the third topic was preoccupied with presenting the aesthetic and expressiveness in the drawings of modernity and beyond, while the fourth topic dealt with: Jean Dubuffet and the experience of raw art. The third chapter was devoted to research procedures. In order to achieve the aim of the research, a number of results were reached in the fourth chapter, including:1- The aesthetic and expressive characteristics were manifested in all samples of the sample, including: instinct / emotion / mood / violence / madness / vulgarity / ugliness / distortion / rebellion / audacity / research, experimentation and innovation. 2- The value of his works and his artistic experience was embodied through his interest and fondness for raw art derived from the products of children, insane, and prisoners. He considered primitive and popular art as a source of aesthetic value for him at the expense of all aesthetic and philosophical concepts, as shown in Model (1 and 3).
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