从有教养的聊天到 "啾啾-啾啾-哒哒-啾啾 "的鸣叫,或者我们如何找到伊甸园之门的钥匙

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Avant Pub Date : 2023-12-11 DOI:10.26913/ava5202302
Evangelina Uskoković, Theo Uskoković, Victoria Wu, V. Uskoković
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引用次数: 0

摘要

对表达形式的再创造是所有艺术发展所特有的概念方法。本研究为科学论文这一自然科学领域的标准表达形式向更先进的领域迈进迈出了这样的一步。论文采用了戏剧的形式,一个科学四口之家试图找到解决写作障碍的方法(第一幕)。他们的理想禁锢感通过艺术,或者更具体地说,通过以音乐美学为关键元素的科学研究得以克服。主人公们录制了不同程度的协和、节奏和音调的乐曲,并播放给鸟儿听,以观察它们的声音和行为反应(第二幕)。他们注意到,当给鸟儿播放钢琴曲,尤其是曲调复杂的钢琴曲时,鸟鸣声明显降低;而当播放海浪的白噪声时,鸟鸣声明显增加。鸟类计数实验间接证明,鸟鸣音量降低是鸟类对音乐的听觉反应,而不是鸟类迁徙到或远离声源的影响。这种带有艺术气息的科学使剧中人物超越了他们被禁锢的限制,他们得到了升华和鼓舞,获得了在自己的生物医学学科中进行创造性研究的想法(第三幕)。他们放弃了新获得的自由,转而拥抱作为医学研究基础的对人类的爱,回到了他们的禁闭室,在本文的尾声,他们进行了一系列实验,这些实验超越了音乐学和鸟类学,属于组织工程和药物输送领域,也属于心理学领域(第三幕)。首先,麻雀巢被用作组织工程构建物的模板,它比人造的、网格状的复制品更有利于人类成纤维细胞的生长。接着,以方解石为主要成分的复活节蛋壳被成功用作药物输送载体。最后,鸟巢绘画实验表明,儿童的心理健康程度高于成人,这与本文的一个主要观点有关,即把儿童作为成人学习的榜样,而不是相反。剧中人物讨论了艺术与科学之间各种融合的价值,质疑了人类语言的局限性,并多次离题赞美创造性思维过程的自由性。该剧通过叙事的方式报道了现实生活中的研究方法和科学成果,但并没有削弱其实证的严谨性和分析的准确性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
From Cultured Chats to the Chirrups of Choo-Choo-Da-Choos, or How We Found a Key to the Gate of Eden
Reinvention of the form of expression is a conceptual approach characteristic for the evolution of all arts. This research study provides one such step forward in the advancement of scientific paper, a standard form of expression in natural sciences, toward more progressive terrains. The paper adopts the form of a theatrical play where a scientific family of four attempts to find the way around a writer’s block (Act I). Their idealess sense of confinement is overcome through arts or, more specifically, through scientific research implementing the aesthetics of music as its key element. The characters record compositions differing in the degrees of consonance, rhythmicity and tonality, and play them to birds to observe their vocal and behavioral responses (Act II). They note that the birdsong volume drops significantly when the piano tunes, especially the compositionally complex ones, are played to the birds and increases signifcantly when the white noise of ocean waves is played. The bird count experiment proves indirectly that the birdsong volume reduction is an auditory response of the birds to music rather than the effect of their migrating to or away from the sound source. This science with the flavor of art elevates the characters beyond the limits of their confinement and they, exalted and uplifted, gain ideas for creative research in their own disciplines of biomedical science (Act III). They relinquish the newly gained freedom in favor of embracing love for humanity that underlies medical research and return to their confinement, where they conduct, in the coda of the paper, a series of experiments that venture beyond musicology and ornithology and fall in the domains of tissue engineering and drug delivery, but also psychology (Act III). First, sparrow nests are used as templates for tissue engineering constructs, which facilitate the growth of human fibroblastic cells better than their artificial, gridded replicas. Next, the shell of an Easter egg, predominantly calcite in composition, is used with success as a drug delivery carrier. Lastly, the bird nest drawing experiment demonstrates a greater mental health of children than that of the adults, correlating with one of the overarching points of the paper, which is to present children as a model for grownups to follow rather than the other way around. Over the course of the play, the characters discuss the value of the various fusions between art and science, question the limits of human language and repeatedly go off-topic to celebrate the freeness of the creative thinking process. The play reports on real-life research methods and scientific results through a narrative, without diminishing their empirical rigor and analytical accuracy.
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Avant
Avant HUMANITIES, MULTIDISCIPLINARY-
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