PKM.指导巴厘岛巴东区北库塔分区克罗博坎村班贾帕当的儿童保护作为祖传文化遗产的巴厘岛木偶艺术

I Ketut Muada, I Nyoman Astawan, I Made Indra Sanjaya
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引用次数: 0

摘要

除了宗教功能,巴厘皮影戏艺术还具有教育功能。在这方面,皮影戏可以被视为一种非正式的教育过程,对理解态度、心理、伦理和逻辑价值观具有重要意义。为了保护巴厘岛的瓦扬古力特,千禧年青年的角色非常重要和复杂,他们是保护瓦扬艺术的继承艺术家(dalang)。一般来说,皮影戏如今仍然是巴厘岛人的最爱,但在一些村庄,瓦扬艺术几乎已经绝迹,因为作为传承人的千禧一代年轻人由于工作繁忙而不愿学习瓦扬艺术,以至于有一天瓦扬艺术可能会失传。在北库塔区 Kerobokan 村的 Banjar Padang,有三个皮影戏大师再生家庭不想学习瓦扬艺术,因此需要帮助。瓦扬艺术同伴将让人们了解巴厘岛瓦扬的保存、功能和意义,从而实现为社区服务,特别是在瓦扬艺术世界。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
PKM. PENDAMPINGAN ANAK MELINIAL DALAM MELESTARIKAN SENI PEWAYANGAN BALI SEBAGAI WARISAN BUDAYA LELUHUR DI BANJAR PADANG, DESA KEROBOKAN, KECAMATAN KUTA UTARA KABUPATEN BADUNG, BALI
In addition to its religious function, the Balinese shadow puppet performance art also functions as an educational medium. In this regard, shadow puppet performances can be seen as an informal educational process that has great significance in understanding attitudes, mental, ethical and logical values. In order to preserve Balinese wayang kulit, the role of millennial youth is very important and complex, namely as heir artists (dalang) who preserve wayang art. In general, shadow puppet shows today are still the favorite of the Balinese people, but in several villages the existence of wayang is almost extinct because millennial young people as heirs do not want to learn wayang for reasons of being busy so that one day the art of wayang could be lost. The case is in Banjar Padang, Kerobokan Village, North Kuta District, three regenerating families of shadow puppet masters do not want to learn wayang so they need assistance. The wayang art companion will provide an understanding of the preservation, function and meaning of Balinese wayang, so that service to the community, especially in the world of wayang art, can be realized.
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