社论。跨部门合作的艰苦但有益的工作--跨部门教育合作中的舞蹈

Tone Pernille Østern, K. Karlsen, G. B. Bjørnstad
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引用次数: 0

摘要

我们坚信,跨部门教育合作是必要的,也是有价值的。针对跨部门教育合作中固有的可能性和挑战的研究存在公认的空白,我们发起了本特刊。我们邀请以跨部门教育合作中的舞蹈为研究对象,以学校、师范教育机构和其他正规或非正规教育机构为背景,进行研究投稿。在创办这期特刊的过程中,我们思考了无数问题:教师、师范教育工作者和/或师范生如何组织、发展、实施和开展与外部编舞家、专业舞蹈家和/或舞蹈教师的合作?在实际的学校、师范教育或其他教育机构实践之前,参与者之间的合作规划、前期研讨会或其他准备行动如何支持变革性的相互性?跨部门教育合作中的舞蹈如何以及为什么会出现障碍、摩擦和紧张关系?此外,跨部门教育合作中的舞蹈如何批判性地挑战对知识的陈旧观念或跨部门合作中不同职位参与者之间不均衡的权力分配?与其他艺术领域的合作如何影响、支持跨部门教育合作中的舞蹈,或使之复杂化?此外,我们还探讨了舞蹈与技术在跨部门教育合作中的融合,以及这两个领域如何相互补充。本特刊收录了八篇经同行评审的文章,这些文章对这些问题以及更多问题进行了探讨,并贡献了相关知识。我们热忱邀请读者积极参与这些文章,因为每篇文章都对跨部门教育合作中舞蹈的复杂情况提出了独特的观点和深刻的见解。我们热忱邀请读者积极投身于这些文章中,因为每篇文章都对跨部门教育合作中舞蹈的复杂情况提出了独特的观点和深刻的见解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Editorial. The hard, but rewarding, work of collaborating across sectors - dance in cross-sectoral educational collaborations
This special issue is motivated by a firm belief that cross-sectoral educational collaborations are needed and have value. In response to the recognised gap in research addressing the possibilities and challenges inherent in cross-sectoral educational collaborations, we initiated this special issue. We invited research contributions focusing on dance within cross-sectoral educational collaborations, encompassing schools, teacher education institutions, and other formal or informal educational institutions as the contextual backdrop. As we initiated the special issue, we pondered around a myriad of questions: how do teachers, teacher educators, and/or teacher candidates organise, develop, implement, and carry out collaborations with external choreographers, professional dancers, and/or dance teachers? How do collaborative planning, pre-workshops among participants, or other preparatory actions before the actual school, teacher education, or other educational institution practice support transformational mutuality? How and why do obstacles, friction, and tension arise, and how are they solved in dance in cross-sectoral educational collaborations? Furthermore, how might dance in cross-sectoral educational collaborations critically challenge stereotypical views on knowledge or uneven power distribution among participants in different positions in cross-sectoral collaborations? How do collaborations with other arts fields influence, support, or complicate dance in cross-sectoral educational collaborations? Additionally, we contemplated the integration of dance and technology in cross-sectoral educational collaborations and how these two domains can complement each other. The eight peer-reviewed articles included in the special issue touch on and contribute knowledge in response to these, and more, questions. We warmly invite readers to actively immerse themselves in these articles, as each presents a unique viewpoint and profound insights into the complex landscape of dance in cross-sectoral educational collaborations. In doing so, we hope to ignite a passion for this important topic, inspiring transformative and collaborative approaches to dance education.
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