书籍的视觉化:巴洛克时代乌克兰教堂艺术装饰中的图形隐喻

Q2 Arts and Humanities
Olena Kurhanova
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引用次数: 0

摘要

文章探讨了隐喻在 17-18 世纪乌克兰教堂书籍艺术装饰中的作用。文章称,这一时期的书籍艺术的特点是大量使用象征性和寓言性的视觉图像,这些图像在书籍的总体结构中发挥着隐喻作用。对一百多部 17-18 世纪乌克兰教会书籍再版中的扉页、封面和插图周期进行的结构-符号学探索,使我们能够找出形成视觉隐喻的主要结构类型。所有用于装饰教会书籍的隐喻性视觉图像都通过描绘作者、读者或中心神学概念来传递书籍的意义。在乌克兰教会书籍艺术装饰的传统中,作者的形象出现在扉页和封面的构图中。它直观地展示了教会书籍是圣人在上帝启示下的创作。收件人既可以通过支持书籍印刷的赞助人的徽章来表达,也可以通过书中祈祷内容所针对的神圣人物的圣像来表达。赞助人徽章位于扉页和/或扉页背面。它从视觉上概括了教会书籍版本的形象,该版本是在著名人士的支持下印刷的。扉页背面、封面或内文缩略图上的祈祷对象图标反映了教会书籍作为祈祷工具的概念。教会书籍的主旨通常通过象征性和寓意性的构图来表达。扉页和封面上的这种构图以最出人意料的视觉形象概括了书籍的内容。作者、收信人和神学内容的图像所表达的所有复杂含义都显示出乌克兰教会书籍编辑在将教会书籍的精髓视觉化时所采用的巴洛克手段。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Visualization of the Book: Graphic Metaphors in Art Decoration of Ukrainian Church Editions of the Baroque Epoque
The article considers the role of metaphor in the art decoration of 17th–18th centuries Ukrainian editions of church books. It claims that the book art of this period is marked by generous use of symbolic and allegoric visual images which play metaphorical role in general structure of the book. Structural-semiotical exploration of title pages, frontispieces, and illustration cycles in more than one hundred reeditions of Ukrainian church books of 17th–18th centuries enabled us to single out the main types of structure forming visual metaphors. All metaphorical visual images, used in decoration of the church books, transfer the meaning of the book through picturing its author, addressee, or the central theological concept. The image of the author in the tradition of the Ukrainian church book art decoration is inserted in the composition of the title page and frontispiece. It visually presents the church book as a creation of a saint person, inspired by God. The addressee is expressed both by the emblem of a patron, who supported book printing, and by an icon of a divine person to whom the prayer content of the book is addressed. The emblem of a patron is positioned on the title page and/or backside of the title page. It visually generalizes the image of the church book edition, printed due to support of notable person. The icons of a prayer addressee on the backside of the title page, on the frontispieces, or on in-text miniatures, reflect the conceptual idea of a church book as a tool for praying. The main idea of a church book is commonly expressed by symbolic and allegoric compositions. Such compositions, positioned on the title pages and frontispieces, summarize the content of the book by the most unexpected visual images. All the complexity of meanings expressed by images of author, addressee, and theological content, demonstrate the baroque means, which Ukrainian church book editors applied to visualize the church book essence.
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来源期刊
Knygotyra
Knygotyra Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
14
审稿时长
30 weeks
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