万物皆有历史

Q1 Arts and Humanities
Anne Solomon
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引用次数: 0

摘要

南部非洲狩猎采集者的神话、传说和仪式之间的差异往往被认为是相似之处。然而,南部桑族人的传说,特别是北开普省的ǀXam族人的传说,都以水和造雨、雨生生物和水下世界为中心。在博茨瓦纳和纳米比亚的卡拉哈里朱阿罕(Kalahari Juǀ'hoan)人的传说中明显没有这些概念。这对解释萨姆证词和南非岩石艺术的类比产生了影响,同时也指出了在理解信仰、传说和习俗的变化方面存在的问题。这些问题在越来越多的关于狩猎采集者和农民之间互动的研究中尤为突出,因为这涉及到对岩画的理解和历史记载。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Everything has a history’
Differences between the myths, lore and rituals of southern African huntergatherers are often subordinated to supposed similarities. However, the lore of southern San groups and the ǀXam of the Northern Cape in particular, centre on ideas about water and rainmaking, rain creatures and an underwater realm. These ideas are notably absent from the lore of the Kalahari Juǀ'hoan in Botswana and Namibia. This has implications for analogies used to interpret the /xam testimonies and South African rock art, but also points to problems in understanding change in belief, lore and practices. These are especially prominent in a growing body of work on interactions between huntergatherers and farmers, as it pertains to understanding rock paintings and generating historical accounts thereof.
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来源期刊
Hunter Gatherer Research
Hunter Gatherer Research Arts and Humanities-Archeology (arts and humanities)
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