John Milton and the English Women Prophets

The work of John Milton (both in poetry and prose) offered some striking theological and political innovations in the context of the seventeenth-century upheavals in England. This article aims to show that the work of the English women prophets active in England at the time offers a valid context in which to reassess and re-read Milton’s work. This observation has occasionally been made in relation to specific prophets, but it has not been pursued in any detail. This article examines the concept of “prophecy” itself as formulated by Milton, and establishes its connections to the activity of women prophets; it also explores its connotations in terms of gender and its consequent implications in terms of opening the public and religious space to the work of female authors. It subsequently examines the work of two specific women prophets (Mary Pope and Elizabeth Avery) alongside that of Milton during the years 1647–1649, as offering equally legitimate responses to the debate concerning monarchy at the time, and it ends by examining Milton’s final epic (Paradise Regain’d) as a poetic approach to the concept of female prophecy. The conclusion shows the renewed potential opened by this new research and considers its consequences for the seventeenth-century literary canon.