Wei Si Nic Yiu, Lauren Levitt, Kim Ye, Kimberly Fuentes, Ashley Madness
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Challenging dominant narratives, interrupting objectification, and queer creativity: Queer sex worker art in Los Angeles.
Drawing on queer of color critique, this paper uses mixed methods including participant observation, interviews, visual and textual analysis, and photovoice to interrogate sex workers' queer creative practices. Building upon the larger oeuvre of sex working artists, contemporary sex working artists in Los Angeles utilizes queer creativity to thwart hegemonic readings of sex work. Performances at two activist fundraisers drew on the themes and esthetics of sex work to counter mainstream narratives about sex work and workers, and to interrupt their objectification. The cover and graphics of a sex worker zine push back against dominant narratives about sex workers and the power structures that suppress sex worker self-representation. Photovoice methodology allowed sex workers to counteract objectification by telling their own stories. In their creative products, sex workers show how "queer" is a praxis of sex and gender disruption, rather than a simple identity category signaling non-heterosexuality, challenging homonormativity in addition to heteronormativity.
期刊介绍:
The Journal of Lesbian Studies examines the cultural, historical, and interpersonal impact of the lesbian experience on society, keeping all readers—professional, academic, or general—informed and up to date on current findings, resources, and community concerns. Independent scholars, professors, students, and lay people will find this interdisciplinary journal essential on the topic of lesbian studies!