从数据加倍到数据恶魔：对 CripTech 合作的思考

IF 0.4 4区艺术学 0 ART

LEONARDO Pub Date : 2023-12-20 DOI:10.1162/leon_a_02488

Laura Forlano, Itziar Barrio

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引用次数: 0

摘要

这篇文章介绍了劳拉-福拉诺（Laura Forlano）和伊齐亚尔-巴里奥（Itziar Barrio）围绕一系列机器人雕塑展开的合作，巴里奥利用福拉诺的 "智能 "胰岛素泵和传感器系统的数据创作了这些雕塑。Forlano 患有 1 型糖尿病十余年，她曾撰文讲述自己作为 "残疾义体人 "的经历。作为 CripTech 艺术，机器人雕塑（在此作为数据恶魔进行讨论）使当代关于人工智能和设计的讨论变得复杂并有所扩展。通过将数据作为劳动、数据作为材料和数据作为关系等主题融入其中，这件作品最终证明了人和技术都是残疾的。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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From Data Doubles to Data Demons: Reflections on a CripTech Collaboration

This article describes a collaboration between Laura Forlano and Itziar Barrio around a series of robotic sculptures that were created by Barrio with data from Forlano’s “smart” insulin pump and sensor system. Forlano, a Type 1 diabetic for over 10 years, has written previously about her experience as a “disabled cyborg”. As CripTech art, the robotic sculptures, discussed here as data demons, complicate and expand contemporary discourses on artificial intelligence and design.By engaging themes such as data as labor, data as material, and data as relations this piece ultimately argues that both people and technologies are disabled.

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来源期刊

LEONARDO ART-

CiteScore

0.90

自引率

0.00%

发文量

139

期刊介绍： Leonardo was founded in 1968 in Paris by kinetic artist and astronautical pioneer Frank Malina. Malina saw the need for a journal that would serve as an international channel of communication between artists, with emphasis on the writings of artists who use science and developing technologies in their work. Today, Leonardo is the leading journal for readers interested in the application of contemporary science and technology to the arts.