当今佛教的视觉化:Jeong Hwa Choi、Kimsooja 和 Do Ho Suh 的作品

IF 0.1 4区 哲学 0 RELIGION
Mina Kim
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引用次数: 0

摘要

自公元前五世纪左右出现以来,佛教已成为一门超越宗教范畴,向许多人传授哲学教义的学科。20 世纪后,佛教已超越了东方的代表性意识形态,继续成为全世界许多人的社会和文化灵感源泉。本研究通过聚焦三位韩国艺术家 Jeong Hwa Choi、Kimsooja 和 Do Ho Suh 的艺术作品,详细探讨了佛教如何启发艺术家将自我反思和跨国身份视觉化,以及传统佛教如何促进当代艺术的普世化、概念化和传播。研究还讨论了佛教如何被当代艺术家重新诠释和视觉化,成为面向大众的艺术作品,而非少数人的艺术作品。他们的艺术作品受到佛教的启发,展示了当代艺术如何展现人文主义、参与性、移情性、多样性和全球性,并传达多层次的信息。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Visualizing Buddhism Today: The Works of Jeong Hwa Choi, Kimsooja, and Do Ho Suh

Since Buddhism appeared around the fifth century BCE, it has established itself as a discipline that gives philosophical teachings to many people beyond religion. After the twentieth century, Buddhism has gone beyond being a representative ideology of the East and continues to be a social and cultural inspiration for many people worldwide. By focusing on the artworks of three Korean artists, Jeong Hwa Choi, Kimsooja, and Do Ho Suh, this study explores in detail how Buddhism inspires artists to visualize self-reflection and transnational identity and how traditional Buddhism contributes to the universalization, conceptualization, and communication of contemporary art. It also discusses how Buddhism is being reinterpreted and visualized by contemporary artists today, becoming a work of art for the public, not art for the few. Their artworks, inspired by Buddhism, show how contemporary art shows humanist, participatory, empathic, diverse, and global aspects and conveys multilayered messages.

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