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引用次数: 0
摘要
摘要 本文以丹尼尔-埃特林汉姆(Daniel Eltringham)的 "动感公地"(kinetic commons)概念为基础,将 "草地 "作为一种实验,将草地所象征的丰富、欲望、暴露和生物多样性等多感官梦境付诸于创造性批判工作。通过细读 Verity Spott、Tom Raworth 和 Myung Mi Kim 的当代文本,并借鉴 Sedgwick 的 "修复性阅读 "和其他批评概念,文章探讨了草甸作为一种诗歌实践是如何运作的。它提供了一种抒情建筑,其研究和梦想的领域工作是持续性的,其界限是混乱不完整的,其方向是即兴的和身临其境的。
Meadowing in Common: Towards a Poethics of Overgrowth
Abstract
Building on Daniel Eltringham’s notion of the “kinetic commons,” this essay offers “meadowing” as an experiment in putting to creative-critical work the multi-sensory dreamscape of abundance, desire, exposure, and biodiversity signified by meadow. Through close readings of contemporary texts by Verity Spott, Tom Raworth, and Myung Mi Kim, and drawing on Sedgwick’s “reparative reading” and other critical concepts, it explores how meadowing works as a poethic practice. It proffers a lyric architecture whose fieldwork of study and dream is ongoing, whose bounds are messily incomplete, and whose orientations are improvisatory and immersive.
期刊介绍:
Founded in 1990 as a groundbreaking experiment in scholarly publishing on the Internet, Postmodern Culture has become a leading electronic journal of interdisciplinary thought on contemporary culture. PMC offers a forum for commentary, criticism, and theory on subjects ranging from identity politics to the economics of information.