可信的恐惧迷失儿童档案》中作为形式的庇护叙事

Stephen M. Park
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引用次数: 0

摘要

摘要:在美国获得庇护的第一步是可信恐惧面谈(CFI),申请人在此过程中以符合法律对“可信度”期望的方式讲述他们的生活。这种采访过程出现在最近的几部文学作品中,最著名的是瓦莱里娅·路易斯利的非虚构作品《告诉我它是如何结束的》。然而,CFI的叙事情境,这个高风险的、交易性的叙事时刻,也提供了一种解释最近移民文学的方式,并理解这些作品如何为读者提供可信度。本文通过分析路易斯利的《失踪儿童档案》中法律叙事和文学叙事的相互作用,将CFI定位为近代移民小说叙事的原始场景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Credible Fears: The Asylum Narrative as Form in Lost Children Archive
Abstract:The first step toward winning asylum in the United States is the Credible Fear Interview (CFI), in which the applicant narrates their life in a way that conforms with legal expectations of “credibility.” This interview process appears in several recent literary works, most notably Valeria Luiselli’s nonfiction work, Tell Me How It Ends. However, the narrative situation of the CFI, this moment of high-stakes, transactional storytelling, also provides a way of interpreting recent migration literature and understanding how such works perform credibility for the reader. By analyzing the interplay of legal and literary narratives in Luiselli’s Lost Children Archive, this article positions the CFI as the primal scene of narration for recent migration fiction.
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