{"title":"安德烈亚-阿皮亚尼绘制的拿破仑肖像：未发表的作品和一些说明","authors":"F. Leone","doi":"10.30687/mdccc/2280-8841/2023/01/012","DOIUrl":null,"url":null,"abstract":"Andrea Appiani (1754‑1817) was the inventor of Napoleon’s iconography in Italy, whose myth he shaped through the portraits he dedicated to him. These paintings show the different iconographic approaches that Bonaparte gave to his image over time. This essay compares the well-known portraits of Napoleon painted by Appiani with a significant unpublished canvas, setting out specific circumstances and dates from archival documents and ancient sources beneath the lens of previous bibliography.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":"28 15","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"I ritratti di Napoleone dipinti da Andrea Appiani: un inedito e alcune precisazioni\",\"authors\":\"F. Leone\",\"doi\":\"10.30687/mdccc/2280-8841/2023/01/012\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Andrea Appiani (1754‑1817) was the inventor of Napoleon’s iconography in Italy, whose myth he shaped through the portraits he dedicated to him. These paintings show the different iconographic approaches that Bonaparte gave to his image over time. This essay compares the well-known portraits of Napoleon painted by Appiani with a significant unpublished canvas, setting out specific circumstances and dates from archival documents and ancient sources beneath the lens of previous bibliography.\",\"PeriodicalId\":32525,\"journal\":{\"name\":\"MDCCC 1800\",\"volume\":\"28 15\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-12-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MDCCC 1800\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30687/mdccc/2280-8841/2023/01/012\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MDCCC 1800","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30687/mdccc/2280-8841/2023/01/012","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
I ritratti di Napoleone dipinti da Andrea Appiani: un inedito e alcune precisazioni
Andrea Appiani (1754‑1817) was the inventor of Napoleon’s iconography in Italy, whose myth he shaped through the portraits he dedicated to him. These paintings show the different iconographic approaches that Bonaparte gave to his image over time. This essay compares the well-known portraits of Napoleon painted by Appiani with a significant unpublished canvas, setting out specific circumstances and dates from archival documents and ancient sources beneath the lens of previous bibliography.
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