爱又如何?

Q3 Arts and Humanities
Matatu Pub Date : 2023-12-05 DOI:10.1163/18757421-05402004
Ana Nenadović
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引用次数: 0

摘要

本文考察了阿布巴卡尔·亚当·易卜拉欣的《深红色的季节》(2015)和阿克瓦克·埃梅齐的《维韦克·奥吉之死》(2020)这两部当代尼日利亚小说对爱情的表现。受贝尔·胡克斯对爱的理解以及达尼·德·艾米利亚和丹尼尔·b·Chávez的宣言《激进的温柔是…》的启发,我建议将反抗之爱的概念作为分析这些小说中作为公民异议形式的爱的工具。“反抗之爱”,在我的理解中,包含了爱作为情感和行动的互补二元性。因此,允许爱的情感在暴力和父权的环境中进化,已经构成了对现状的异议。我认为,这两部小说探索了无视父权结构的关系和联盟,尤其是性别规范和异性恋规范。《深红花开的季节》和《维韦克·欧吉之死》描绘了在持续的政治和种族紧张、压迫和暴力的社会政治背景下,中年寡妇和年轻男子或酷儿年轻人之间的挑衅之爱的潜力。这些小说讨论了什么是异议,以及在公民异议的时刻,什么影响了自己的角色。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
What about Love?
This article examines the representation of love in two contemporary Nigerian novels, Abubakar Adam Ibrahim’s Season of Crimson Blossoms (2015) and Akwaeke Emezi’s The Death of Vivek Oji (2020). Inspired by bell hooks’s understanding of love and Dani d’Emilia and Daniel B. Chávez’s manifesto Radical Tenderness Is … I suggest the concept of defiant love as a tool for analysing love as a form of civic dissent in these novels. ‘Defiant love,’ as I understand it, embraces the complementary duality of love as emotion and action. Consequently, to allow the emotion of love to evolve in violent and patriarchal circumstances already constitutes dissent with the status quo. I argue that the two novels explore relationships and alliances that defy patriarchal structures, in particular gender norms and heteronormativity. Season of Crimson Blossoms and The Death of Vivek Oji depict the potentiality of defiant love, be it between a middle-aged widow and a young man, or queer young people, in socio-political contexts of continuous political and ethnic tensions, oppression and violence. The novels negotiate what constitutes dissent and what role affects play in moments of civic dissent.
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来源期刊
Matatu
Matatu Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
9
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