艾米莉-勃朗特《呼啸山庄》中的自我教育与叙事能力:(重新)发现边缘女性角色

Mădălina Elena Mandici
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引用次数: 0

摘要

尽管艾米丽Brontë的《呼啸山庄》(1847)在学术和流行文化中占有稳固的地位,但这部小说似乎并不是一部既有传统的吸引人的角色、可靠的叙述者,又有现代的阶级、性别和种族描绘的作品的首选。这项研究认为,在《呼啸山庄》中,阅读、写作、教育和学习抗拒一个统一的解释,但仍然可以为其笨拙的叙事提供一个指南针。在小说中,地主士绅凌驾于国家法律之上,女性在各个阶段都处于不利地位。这些描述来自于一个连续的社会范围:这个女人注释圣书来写自己的故事,她选择有教养的绅士,但否认自己粗暴、野性的本性(凯瑟琳一世),这个女人从摇篮里就暴露在文化中,她以一种和解的教育者-门徒的婚姻教育文盲(凯瑟琳二世),一个出生于奴隶阶级的管家,她超越了绅士和社会隔离的限制,并且拥有独家访问《呼啸山庄》(内莉·迪恩饰)中嵌入的所有个人和社会历史的权利。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Self-Education and Narrative Power in Emily Brontë’s Wuthering Heights: (Re)Discovering Marginal Women Characters
Despite the secure position of Emily Brontë’s Wuthering Heights (1847) in academic and popular culture, the novel may not seem the first choice for a work that features both conventionally appealing characters and reliable narrators as well as modern delineations of class, gender, and race. This study argues that in Wuthering Heights reading, writing, education, and learning resist a unified interpretation, but nonetheless can provide a compass for navigating its unwieldy narrative. In the novel, the landed gentry is above the law of state, and women are at all stages disadvantaged. These depictions come in a continuous social spectrum: the woman who annotates sacred books to write her own story and chooses the cultured gentry but denies her own rough, wild nature (Catherine I), the woman exposed to culture from the cradle who educates the illiterate in a reconciliatory educator-disciple matrimony (Catherine II), the housekeeper born into the servile classes who moves beyond the limits imposed by gentility and social segregation, and has exclusive access to all the personal and social histories embedded within Wuthering Heights (Nelly Dean).
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