一个编舞家、她的学生、河流和濒危遗产的故事

Feriyal Amal Aslam
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引用次数: 0

摘要

自50年代以来,巴基斯坦最资深的90多岁的年轻古典舞蹈大师Indu Mitha在Kalakshtera Bharata Natyam中做出了开创性的贡献,使用北印度音乐,有趣和当代的内容,同时也产生了更多的舞蹈形式。在她最近的一件后期风格的个人作品中,名为“贾马尔的Qaseeda-i-Ilm”或“智慧与美丽的颂歌”,Indu使用了印度教知识女神和美学女神的象征,并向一条被遗忘的干涸的同名河流致敬。《Indu Mitha》允许作者,在她与当今巴基斯坦土地上的人们的历史交往中引入被遗忘的河流,并最终促进她进入并体现了一个被封锁的跨信仰和谐的多元空间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tale of a Choreographer, Her student, River and an endangered Heritage
Choreographing in Pakistan since the 50’s, the country’s senior most 90+ years young classical dance maestro Indu Mitha has made trailblazing contributions within the Kalakshtera Bharata Natyam using North Indian music, interesting and contemporary content, while also producing more tableau forms of dance. In one of her recent solo pieces in the later style, titled “Qaseeda-i-Ilm of Jamal” or “An Ode to Wisdom and Beauty” Indu engages with symbolisms of a Hindu goddess of knowledge and Aesthetics_Saraswati and pays tribute to a forgotten dried up river of the same name. Indu Mitha allows the author, for whom and on whose body the dance is made, to bring in the forgotten river in her engagement with people’s histories of the land of present-day Pakistan and eventually facilitates her accessing of and embodying a pluralistic space of inter faith harmony which was occluded.
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