{"title":"莫妮卡-吉隆(Mónica Giron)的艺术装置 Ajuar para un conquistador 中超越人类的 \"rhuthmanalysis","authors":"Salomé Lopes Coelho","doi":"10.1177/14744740231215505","DOIUrl":null,"url":null,"abstract":"This paper explores the relationships between humans and more-than-humans through the analysis of the rhythmic elements of the contemporary art installation Ajuar para un conquistador. An interdisciplinary approach bridges Art Studies and More-Than-Human Geographies to examine Ajuar and its environmental concerns, including the relationships between human and non-human worlds. Through ‘rhuthmanalysis’ – a new concept and word developed in the paper – textual and image analysis, and conversations with the artist, this study examines the social, cultural, and ecological meshwork of rhythms articulated within and by the art installation. ‘Rhuthmanalysis’ expands upon Henri Lefebvre and Catherine Régulier’s rhythmanalytic project by incorporating indigenous knowledge and an ecocritical standpoint while redefining the understanding of rhythm. The analysis explores how Ajuar, concerned with the endangerment of Patagonian birds, promotes a performative understanding of the artwork’s capacities in the context of the interplay between the affective dimensions and politics of the creation of the Argentine nation-state. The paper argues that Ajuar participates in the social and political production of space and place, opening new forms of being together and challenging colonial narratives through a rhythmic lens. Moreover, this study seeks to offer a singular perspective on how approaching art as a rhythmic configuration of an intricate choreography of coexistence can provide unique insights into space and the environment. The paper concludes that ‘rhuthmanalysis’ is a privileged tool to address the need for a transdisciplinary methodology capable of giving account of the mutual unfolding of human and non-human existences and decolonising posthumanist geographies and rhythm studies.","PeriodicalId":47718,"journal":{"name":"Cultural Geographies","volume":"2 14","pages":""},"PeriodicalIF":1.6000,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"More-than-human ‘rhuthmanalysis’ in Mónica Giron’s art installation Ajuar para un conquistador\",\"authors\":\"Salomé Lopes Coelho\",\"doi\":\"10.1177/14744740231215505\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper explores the relationships between humans and more-than-humans through the analysis of the rhythmic elements of the contemporary art installation Ajuar para un conquistador. An interdisciplinary approach bridges Art Studies and More-Than-Human Geographies to examine Ajuar and its environmental concerns, including the relationships between human and non-human worlds. Through ‘rhuthmanalysis’ – a new concept and word developed in the paper – textual and image analysis, and conversations with the artist, this study examines the social, cultural, and ecological meshwork of rhythms articulated within and by the art installation. ‘Rhuthmanalysis’ expands upon Henri Lefebvre and Catherine Régulier’s rhythmanalytic project by incorporating indigenous knowledge and an ecocritical standpoint while redefining the understanding of rhythm. The analysis explores how Ajuar, concerned with the endangerment of Patagonian birds, promotes a performative understanding of the artwork’s capacities in the context of the interplay between the affective dimensions and politics of the creation of the Argentine nation-state. The paper argues that Ajuar participates in the social and political production of space and place, opening new forms of being together and challenging colonial narratives through a rhythmic lens. Moreover, this study seeks to offer a singular perspective on how approaching art as a rhythmic configuration of an intricate choreography of coexistence can provide unique insights into space and the environment. The paper concludes that ‘rhuthmanalysis’ is a privileged tool to address the need for a transdisciplinary methodology capable of giving account of the mutual unfolding of human and non-human existences and decolonising posthumanist geographies and rhythm studies.\",\"PeriodicalId\":47718,\"journal\":{\"name\":\"Cultural Geographies\",\"volume\":\"2 14\",\"pages\":\"\"},\"PeriodicalIF\":1.6000,\"publicationDate\":\"2023-12-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cultural Geographies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1177/14744740231215505\",\"RegionNum\":3,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"ENVIRONMENTAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cultural Geographies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1177/14744740231215505","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"ENVIRONMENTAL STUDIES","Score":null,"Total":0}
More-than-human ‘rhuthmanalysis’ in Mónica Giron’s art installation Ajuar para un conquistador
This paper explores the relationships between humans and more-than-humans through the analysis of the rhythmic elements of the contemporary art installation Ajuar para un conquistador. An interdisciplinary approach bridges Art Studies and More-Than-Human Geographies to examine Ajuar and its environmental concerns, including the relationships between human and non-human worlds. Through ‘rhuthmanalysis’ – a new concept and word developed in the paper – textual and image analysis, and conversations with the artist, this study examines the social, cultural, and ecological meshwork of rhythms articulated within and by the art installation. ‘Rhuthmanalysis’ expands upon Henri Lefebvre and Catherine Régulier’s rhythmanalytic project by incorporating indigenous knowledge and an ecocritical standpoint while redefining the understanding of rhythm. The analysis explores how Ajuar, concerned with the endangerment of Patagonian birds, promotes a performative understanding of the artwork’s capacities in the context of the interplay between the affective dimensions and politics of the creation of the Argentine nation-state. The paper argues that Ajuar participates in the social and political production of space and place, opening new forms of being together and challenging colonial narratives through a rhythmic lens. Moreover, this study seeks to offer a singular perspective on how approaching art as a rhythmic configuration of an intricate choreography of coexistence can provide unique insights into space and the environment. The paper concludes that ‘rhuthmanalysis’ is a privileged tool to address the need for a transdisciplinary methodology capable of giving account of the mutual unfolding of human and non-human existences and decolonising posthumanist geographies and rhythm studies.
期刊介绍:
Cultural Geographies has successfully built on Ecumene"s reputation for innovative, thoughtful and stylish contributions. This unique journal of cultural geographies will continue publishing scholarly research and provocative commentaries. The latest findings on the cultural appropriation and politics of: · Nature · Landscape · Environment · Place space The new look Cultural Geographies reflects the evolving nature of its subject matter. It is both a sub-disciplinary intervention and an interdisciplinary forum for the growing number of scholars or practitioners interested in the ways that people imagine, interpret, perform and transform their material and social environments.