莫妮卡-吉隆(Mónica Giron)的艺术装置 Ajuar para un conquistador 中超越人类的 "rhuthmanalysis

IF 1.6 3区 社会学 Q4 ENVIRONMENTAL STUDIES
Salomé Lopes Coelho
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引用次数: 0

摘要

本文通过对当代艺术装置《征服者》的节奏元素的分析,探讨人与超越人的关系。跨学科的方法连接艺术研究和超越人类的地理学来研究阿朱尔和它的环境问题,包括人类和非人类世界之间的关系。通过“节奏分析”——论文中提出的一个新概念和词汇——文本和图像分析,以及与艺术家的对话,本研究考察了艺术装置内部和通过艺术装置表达的节奏的社会、文化和生态网络。“节奏分析”扩展了Henri Lefebvre和Catherine rsamulier的节奏分析项目,结合了本土知识和生态批评的观点,同时重新定义了对节奏的理解。分析探讨了Ajuar如何关注巴塔哥尼亚鸟类的濒危,在阿根廷民族国家创建的情感维度和政治之间的相互作用的背景下,促进了对艺术作品能力的表演理解。本文认为,Ajuar参与了空间和地点的社会和政治生产,通过有节奏的镜头打开了共同存在的新形式,并挑战殖民叙事。此外,本研究旨在提供一种独特的视角,即如何将艺术作为一种复杂的共存编排的节奏配置来处理,从而为空间和环境提供独特的见解。论文的结论是,“节奏分析”是一种特殊的工具,可以解决对跨学科方法论的需求,这种方法论能够解释人类和非人类存在的相互展开,以及去殖民化后人文主义地理学和节奏研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
More-than-human ‘rhuthmanalysis’ in Mónica Giron’s art installation Ajuar para un conquistador
This paper explores the relationships between humans and more-than-humans through the analysis of the rhythmic elements of the contemporary art installation Ajuar para un conquistador. An interdisciplinary approach bridges Art Studies and More-Than-Human Geographies to examine Ajuar and its environmental concerns, including the relationships between human and non-human worlds. Through ‘rhuthmanalysis’ – a new concept and word developed in the paper – textual and image analysis, and conversations with the artist, this study examines the social, cultural, and ecological meshwork of rhythms articulated within and by the art installation. ‘Rhuthmanalysis’ expands upon Henri Lefebvre and Catherine Régulier’s rhythmanalytic project by incorporating indigenous knowledge and an ecocritical standpoint while redefining the understanding of rhythm. The analysis explores how Ajuar, concerned with the endangerment of Patagonian birds, promotes a performative understanding of the artwork’s capacities in the context of the interplay between the affective dimensions and politics of the creation of the Argentine nation-state. The paper argues that Ajuar participates in the social and political production of space and place, opening new forms of being together and challenging colonial narratives through a rhythmic lens. Moreover, this study seeks to offer a singular perspective on how approaching art as a rhythmic configuration of an intricate choreography of coexistence can provide unique insights into space and the environment. The paper concludes that ‘rhuthmanalysis’ is a privileged tool to address the need for a transdisciplinary methodology capable of giving account of the mutual unfolding of human and non-human existences and decolonising posthumanist geographies and rhythm studies.
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来源期刊
CiteScore
3.50
自引率
12.50%
发文量
46
期刊介绍: Cultural Geographies has successfully built on Ecumene"s reputation for innovative, thoughtful and stylish contributions. This unique journal of cultural geographies will continue publishing scholarly research and provocative commentaries. The latest findings on the cultural appropriation and politics of: · Nature · Landscape · Environment · Place space The new look Cultural Geographies reflects the evolving nature of its subject matter. It is both a sub-disciplinary intervention and an interdisciplinary forum for the growing number of scholars or practitioners interested in the ways that people imagine, interpret, perform and transform their material and social environments.
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