Boris Ryzhy 作品中的自传倾向。鹿特丹日记

Q4 Arts and Humanities
V. E. Vashchuk
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引用次数: 0

摘要

本文分析了叶卡捷琳堡人、已故诗人雷日唯一的散文作品《鹿特丹日记》的自传体特征。这本日记是他在2000年参加荷兰国际诗歌节后不久写的,可以看作是这位年轻诗人的自白,揭示了他生活和工作的逻辑。在Ryzhy去世的时候,这本书还没有完成——他的遗孀和父亲想出了这个书名,并在他死后在Znamya杂志上发表了一篇文章。这本书的独特之处在于它的尝试性类型归属以及叙事的显著碎片化。文章运用叙事学的方法,展示了叙述者使用非线性叙事来组合他自己的形象——一个孤独的人,一个“失败者”,同时也是一个“普通的俄罗斯诗人”。有趣的是,这一形象部分反映在诗人同时代的人身上,也反映在日记中,并有助于从他的类型特征的角度形成对抒情英雄的看法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Autobiographical tendencies in Boris Ryzhy’s works. The Rotterdam Diary [Rotterdamskiy dnevnik]
The article analyzes the autobiographical features of The Rotterdam Diary [Rotterdamskiy dnevnik], the only prose work by the late poet B. Ryzhy, a native of Yekaterinburg. The Diary was written soon after his trip to the Poetry International Festival in the Netherlands in 2000 and can be viewed as the young poet’s confessions that shed light on the logic of his life and work. The book remained unfinished at the time of Ryzhy’s death — his widow and father came up with the title and initiated a posthumous publication in the Znamya journal. The book’s unique quality lies in its tentative genre attribution as well as significant fragmentation of the narrative. Using narratological methods, the article demonstrates the narrator’s use of a nonlinear narrative to put together his own image — that of a loner, a ‘loser,’ and, at the same time, ‘an ordinary Russian poet.’ Interestingly, this image is partially reflected in the poet’s contemporaries also portrayed in the Diary and helps to form an opinion about the lyrical hero from the viewpoint of his typological traits.
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来源期刊
Voprosy Literatury
Voprosy Literatury Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
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110
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