乔叟的箴言帕利诺德

Q2 Arts and Humanities
Michelle Ripplinger
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引用次数: 0

摘要

摘要:乔叟介入了中世纪晚期关于虚构模仿危险的争论,通过重新想象女性读者在《奥维黛安娜的生活》的忏悔叙事中意想不到的角色。奥维德曾为《阿玛托里亚》辩护,称它被女性读者误解了,这是他没有预料到的。中世纪的奥维德传统将这个女性化的人物吸收进了它为他追溯性地构建的传记中;《希律季》成为了一篇文章,是对年轻诗人的轻率行为的道歉或纠正,这些行为被认为误导了这些女性读者。乔叟有意地颠覆了这个传统。在《特洛伊罗斯与克里塞德》中,他不仅为自己的希罗里德斯做了铺垫,让自己有理由道歉,而且重新评价了这位意想不到的女性读者和她在解释上的错误。他对《奥维黛安娜的生活》的持续关注反过来阐明了《好女人的传说》的文学理论风险,它捍卫了叙事小说的伦理价值,没有道德化的评论,即使它要求读者对其风险保持警惕。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Chaucer's Proleptic Palinode
Abstract:Chaucer intervenes in late medieval debates about the dangers of fictive mimesis by reimagining the unanticipated woman reader's role in the repentant narrative of the vita Ovidiana. To defend the Ars amatoria from accusations of immorality, Ovid had claimed that it had been misinterpreted by women readers he had not anticipated. The medieval Ovid tradition absorbed this feminized figure into the biography it retroactively constructed for him; the Heroides became a palinode, an apology for or corrective to the youthful poetic indiscretions that supposedly misled these women readers. Chaucer turns this tradition knowingly on its head. In Troilus and Criseyde, he not only sets the stage for his own Heroides by giving himself something to apologize for, but also revalues the unanticipated woman reader and her interpretive faults. His sustained engagement with the vita Ovidiana in turn elucidates the literary-theoretical stakes of The Legend of Good Women, which defends the ethical value of narrative fiction, without moralizing commentary, even as it asks the reader to remain alert to its risks.
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来源期刊
Studies in the Age of Chaucer
Studies in the Age of Chaucer Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
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