上史奇特的小溪?喜剧作为一种与同性恋的狭义教学方式

Seán Henry, Audrey Bryan, Aoife Neary
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引用次数: 0

摘要

学习LGBTQI+主题和经历的教学方法在教师教育中仍然是一个很大程度上未被充分研究的话题。这在一定程度上是由于人们对以微妙而敏感的方式探索这些主题感到焦虑,许多教师教育工作者觉得自己没有能力驾驭探索所谓“困难知识”的复杂性。鉴于此,本文的目的是对喜剧的教学价值进行反思,以探索这类主题和教师教育的经验,特别是情景喜剧(情景喜剧)Schitt 's Creek。我们转向喜剧,是因为我们对喜剧形式提供LGBTQI+主题和经历的“倾斜”教学遭遇的能力感兴趣,也就是说,不冒犯性的遭遇,抵制LGBTQI+人群以伤害为中心的叙事,并对多种酷儿未来开放。在探索这部情景喜剧如何提供教师教育者和学生教师这种类型的相遇时,我们通过“酷儿乌托邦”的镜头提供了对三集《希特的小溪》的阅读。我们分析了一个有目的的剧集样本,这些剧集直接讲述了LGBTQI+的主题和经历。我们在分析的同时还提供了提示,供教师教育工作者在教师教育课堂上讨论这些事件时使用。我们认为,这部情景喜剧为教师教育提供了一个机会,让学生教师和教师教育者能够接触到一种酷儿乌托邦主义,这种乌托邦主义不仅可以在《希特的小溪》的情节主线、人物和/或背景中遇到,而且可能更主要的是,通过观看情景喜剧本身的情感维度。这篇文章以喜剧对探索情感、教育和社会正义之间的关系的重要性的一些想法结束。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Up Schitt’s Creek? Comedy as a Slantwise Pedagogical Encounter with Queerness
Pedagogical approaches to learning about LGBTQI+ themes and experiences remain a largely understudied topic in teacher education. This is partly due to anxieties around exploring these themes in nuanced and sensitive ways, with many teacher educators feeling ill-equipped to navigate the complexities of exploring so-called “difficult knowledge.” In response to this, the purpose of this paper is to offer reflections on the pedagogical value of comedy for exploring such themes and experiences in teacher education, focusing especially on the situational comedy (sitcom) Schitt’s Creek. We turn to comedy given our interest in the capacity of comedic modalities to offer “slantwise” pedagogical encounters with LGBTQI+ themes and experiences, that is, nonaffronting encounters that resist damage-centered narratives of LGBTQI+ people and are open to multiple queer futures. In exploring how the sitcom offers teacher educators and student teachers these kinds of encounters, we provide a reading of three episodes of Schitt’s Creek through a “queer utopian” lens. We analyze a purposive sample of episodes from the series that speak directly to LGBTQI+ themes and experiences. We accompany this analysis with prompts for teacher educators to use in discussing these episodes in the teacher education classroom. We suggest that the sitcom offers teacher education an opportunity for student teachers and teacher educators to access a queer utopianism that can be encountered not only in the specifics of Schitt’s Creek’s plotlines, characters, and/or settings, but also, perhaps more primarily, through the affective dimensions of watching the sitcom itself. The piece comes to a close with some thoughts on the significance of comedy for exploring the relationship among affect, education, and social justice more generally.
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