调皮的诺默菲德

IF 0.1 4区 文学 0 LITERATURE, ROMANCE
Marie-Claire Thomine
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引用次数: 0

摘要

摘要:本文从 "脸谱化 "的角度出发,对《海帕梅隆》中的女魔头诺默菲德这一人物形象进行了深入分析。她是本书特有的 "转哭为笑 "叙事手法的核心人物,这种叙事手法赋予了这个人物非常特殊的地位,尽管她是魔鬼中最年轻、最爱玩耍的一个。诺默菲德首先是一个讲故事的人,她的故事以简短和俏皮著称,必须从万物短暂的角度来解读。诺梅尔菲德是一位才华横溢的说书人,她使用了大量的叙事策略和喜剧效果,因为她想与忧郁作斗争,让聚集在萨朗斯的好伙伴们开怀大笑。另一方面,诺默菲德也毫不犹豫地与男权主义者争吵,或就男性暴力和男女关系中的虚伪发出自己的声音。她还公开支持女性的欲望和快乐,为基于爱情匹配的婚姻辩护。这篇文章表明,诺默菲德虽然因为体现了随性、真诚和自然而面带微笑,但她也能说出深刻的话语,包括宗教性的话语,从而体现了语言的解放力量。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Facétieuse Nomerfide

Abstract:

This article proposes an in-depth analysis of the character of Nomerfide, one of the devisants in L’Heptaméron, by examining her from the perspective of facetiousness. She is shown at the heart of the narrative device of conversion of tears into laughter, specific to this book, which gives this character a very special place even though she is the youngest and the most playful of the devisants. Nomerfide is analyzed first of all as a storyteller whose stories are distinguished by their brevity and their playful dimension, which must be interpreted in the light of the awareness of the ephemeral character of all things. Endowed with great talents as a storyteller, Nomerfide deploys a vast palette of narrative strategies and comic effects because she wants to fight melancholy and make the good company gathered in Sarrance laugh. On the other hand, Nomerfide does not hesitate to quarrel with the male devisants or to make her voice heard on male violence and on hypocrisy in relationships between men and women. She also openly endorses female desire and pleasure and defends marriages based on love matches. The article shows that Nomerfide, although facetious because she embodies spontaneity, sincerity and naturalness, is also capable of profound words, including religious ones, thus embodying the liberating power of speech.

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来源期刊
FRENCH FORUM
FRENCH FORUM LITERATURE, ROMANCE-
自引率
0.00%
发文量
16
期刊介绍: French Forum is a journal of French and Francophone literature and film. It publishes articles in English and French on all periods and genres in both disciplines and welcomes a multiplicity of approaches. Founded by Virginia and Raymond La Charité, French Forum is produced by the French section of the Department of Romance Languages at the University of Pennsylvania. All articles are peer reviewed by an editorial committee of external readers. The journal has a book review section, which highlights a selection of important new publications in the field.
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