{"title":"玛格丽特-德-纳瓦拉的《赫帕梅隆》中的重复修辞","authors":"Nicolas Russell","doi":"10.1353/frf.2022.a914322","DOIUrl":null,"url":null,"abstract":"<p><p>Abstract:</p><p>This article focuses on a specific instance of repetition in the <i>Heptaméron</i>, the frequent repetition of the word <i>bien</i>. Drawing on the scholarship of Robert Cottrell and Isabelle Garnier among others, the article first situates this specific instance of repetition within a broader framework of Marguerite’s use of repetition in her poetry and her prose and its relationship to her understanding of how human discourse can engage with the divine. The article then argues that while the word <i>bien</i> has an ostensibly positive meaning, Marguerite undermines its positive valence both in her use of it as an adjective of degree and as a noun by associating it with a broad range of both positive and negative human traits and dispositions. Thus, in the <i>Heptaméron</i>, the word <i>bien</i> comes to lose a fixed valence and comes to symbolize human discourse’s inadequacy to articulate the fundamental nature of the good, which for Marguerite is the <i>souverain bien</i> represented by God. However, Marguerite’s frequent repetition of the word <i>bien</i> in the <i>Heptaméron</i> also serves to cut through the polyvocal <i>bruit</i> of human discourse represented by the <i>devisants’</i> stories and debates, offering the reader an opportunity for meditation on the inadequacy of human discourse to represent the <i>souverain bien</i>, which can be seen as a strategy emanating from the tradition of negative theology.</p></p>","PeriodicalId":42174,"journal":{"name":"FRENCH FORUM","volume":"37 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2023-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Rhetoric of Repetition in Marguerite de Navarre's Heptaméron\",\"authors\":\"Nicolas Russell\",\"doi\":\"10.1353/frf.2022.a914322\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>Abstract:</p><p>This article focuses on a specific instance of repetition in the <i>Heptaméron</i>, the frequent repetition of the word <i>bien</i>. Drawing on the scholarship of Robert Cottrell and Isabelle Garnier among others, the article first situates this specific instance of repetition within a broader framework of Marguerite’s use of repetition in her poetry and her prose and its relationship to her understanding of how human discourse can engage with the divine. The article then argues that while the word <i>bien</i> has an ostensibly positive meaning, Marguerite undermines its positive valence both in her use of it as an adjective of degree and as a noun by associating it with a broad range of both positive and negative human traits and dispositions. Thus, in the <i>Heptaméron</i>, the word <i>bien</i> comes to lose a fixed valence and comes to symbolize human discourse’s inadequacy to articulate the fundamental nature of the good, which for Marguerite is the <i>souverain bien</i> represented by God. However, Marguerite’s frequent repetition of the word <i>bien</i> in the <i>Heptaméron</i> also serves to cut through the polyvocal <i>bruit</i> of human discourse represented by the <i>devisants’</i> stories and debates, offering the reader an opportunity for meditation on the inadequacy of human discourse to represent the <i>souverain bien</i>, which can be seen as a strategy emanating from the tradition of negative theology.</p></p>\",\"PeriodicalId\":42174,\"journal\":{\"name\":\"FRENCH FORUM\",\"volume\":\"37 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-12-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"FRENCH FORUM\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/frf.2022.a914322\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, ROMANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"FRENCH FORUM","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/frf.2022.a914322","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
引用次数: 0
摘要
摘要:本文重点讨论了《赫帕梅隆》中重复的一个具体例子,即频繁重复的 "bien "一词。文章借鉴了罗伯特-科特雷尔(Robert Cottrell)和伊莎贝尔-加尼耶(Isabelle Garnier)等人的研究成果,首先将这一特定的重复例子置于玛格丽特在诗歌和散文中使用重复的更广泛框架内,并将其与玛格丽特对人类话语如何与神性接触的理解联系起来。文章随后指出,虽然 bien 一词表面上具有积极意义,但玛格丽特在将其用作程度形容词和名词时,将其与一系列积极和消极的人类特质和倾向联系起来,从而削弱了其积极意义。因此,在《赫帕梅隆》中,"美好"(bien)一词失去了固定的意义,而象征着人类的话语不足以表达美好的根本性质,对玛格丽特来说,美好的根本性质就是上帝所代表的 "美好"(souverain bien)。然而,玛格丽特在《赫帕梅隆》中频繁重复 bien 一词,也是为了穿透魔鬼们的故事和辩论所代表的人类话语的多声部杂音,为读者提供了一个机会,让读者思考人类话语不足以代表至高无上的 bien,这可以被视为源自否定神学传统的一种策略。
The Rhetoric of Repetition in Marguerite de Navarre's Heptaméron
Abstract:
This article focuses on a specific instance of repetition in the Heptaméron, the frequent repetition of the word bien. Drawing on the scholarship of Robert Cottrell and Isabelle Garnier among others, the article first situates this specific instance of repetition within a broader framework of Marguerite’s use of repetition in her poetry and her prose and its relationship to her understanding of how human discourse can engage with the divine. The article then argues that while the word bien has an ostensibly positive meaning, Marguerite undermines its positive valence both in her use of it as an adjective of degree and as a noun by associating it with a broad range of both positive and negative human traits and dispositions. Thus, in the Heptaméron, the word bien comes to lose a fixed valence and comes to symbolize human discourse’s inadequacy to articulate the fundamental nature of the good, which for Marguerite is the souverain bien represented by God. However, Marguerite’s frequent repetition of the word bien in the Heptaméron also serves to cut through the polyvocal bruit of human discourse represented by the devisants’ stories and debates, offering the reader an opportunity for meditation on the inadequacy of human discourse to represent the souverain bien, which can be seen as a strategy emanating from the tradition of negative theology.
期刊介绍:
French Forum is a journal of French and Francophone literature and film. It publishes articles in English and French on all periods and genres in both disciplines and welcomes a multiplicity of approaches. Founded by Virginia and Raymond La Charité, French Forum is produced by the French section of the Department of Romance Languages at the University of Pennsylvania. All articles are peer reviewed by an editorial committee of external readers. The journal has a book review section, which highlights a selection of important new publications in the field.