The role of the Praenotamenta of Jodocus Badius Ascensius in shaping early modern dramatic criticism

This article examines the profound and enduring legacy of the treatise on classical drama known as Praenotamenta ascensiana in shaping early modern dramatic poetics. Written by Flemish scholar Jodocus Badius Ascensius (1462–1535) as a preface to his 1502 edition of the Classical plays of Terence, this work has been unjustly overlooked by the critics that have invariably credited Aristotle’s Poetics for foregrounding the debate on early modern dramatic criticism, following Alessandro de Pazzi’s first Latin translation (1536) and Francesco Robortello’s monumental commentary (1548). The purpose of Praenotamenta was to provide educators, students and playwrights with a concise and accessible compendium of ancient dramatic poetics. This treatise circulated widely across Europe and helped disseminate ideas that became central to early modern discourse on poetics, such as verisimilitude and decorum, as well as discussion on the didactic and civic role of poetry. Blended with Aristotelian doctrine, these concepts became the tenets of late sixteenth-century poetics treatises in England, France, Italy and Spain.