罗伯特·皮尔西的《作为哲学实践的阅读》

IF 0.1 3区 文学 N/A LITERARY THEORY & CRITICISM
Iris Vidmar Jovanović
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Piercey's answer to this question, which is also the central claim of the book, is that reading—independently of the subject or a genre—is a philosophical activity, that is, \"a kind of reflection on experiences and capacities that are distinctive to human beings\" (p. 3). As Piercey argues, reading inevitably invites one to consider issues that fall within three main philosophical domains: those related to selfhood; those related to ethical questions, primarily the ones asking about a valuable life; and those concerning ontological questions regarding the true nature of things. Inspiration for this account comes from the writings of Henry James, Stanley Cavell, and Marcel Proust, each of whom describes reading as an experience in which one's self enlarges and new dimensions of subjectivity are revealed. Piercey's ambition is to understand precisely what happens in such moments of discovery, and he sets out to offer an account of the essence of the experience of reading that explains why reading matters so profoundly to so many people.</p> <p>Piercey finds a philosophical grounding for his main claim in Wolfgang Iser's phenomenological account of reading and Alasdair MacIntyre's account of practice. Piercey praises Iser's account of reading as an activity prolonged in time, during which a reader is situated within the text, and tries to rebuild that text by constantly going through interpretative stages. Such a \"wandering viewpoint\" (p. 20) generates in one a sense of living through an altered subjectivity. As Piercey argues, the greatest value of this explanation is its capacity to account for how a text is given to one's consciousness.</p> <p>Insightful as it is, however, Iser's account has limits, given his focus on fictional classics and his belief that the aim of reading is to arrive at the correct interpretation of a text. To overcome these shortcomings, Piercey adopts MacIntyre's account of practice and argues that understanding reading as a <strong>[End Page 468]</strong> type of social practice means recognizing it as \"embedded in, and expressive of, a full range of human activities and a full picture of the human person.\" Moreover, thinking of reading as a practice encourages us to see it \"as a space where one reflects on what kind of a person one should become, and tries earnestly to make oneself into that kind of a person\" (p. 25).</p> <p>What such a project looks like is examined in the third chapter, where Piercey analyzes writings on reading by novelist Nick Hornby. This chapter is particularly interesting in tackling questions that pop up when one pursues reading as important for one's well-being: questions concerning which books to read and which to skip, issues regarding rereading, and the like. The rhetorical power of this chapter is immense, in raising one's awareness of the many nuances that a reflective approach to reading invites. This awareness is further advanced in the sixth chapter, in which Piercey presents \"descriptive hermeneutical ontology\" (p. 71) to explain how readers discover what is valuable and meaningful about the nature of things and attachments in the process of reading. Interesting here is the dual nature of books that Piercey describes, namely their material copies and their content, or virtual reality, and the instrumental and intrinsic ways in which each of the two can acquire meaning for individual readers. He concludes that reading matters to so many people because it lets them experience and reflect on the fragmentation built into their encounters with things.</p> <p>In chapter 4, Piercey discusses one of the cornerstones of literary aesthetics: the view—as developed by, among others, Martha Nussbaum—that reading makes us morally better. Piercey acknowledges the relevance of empirical challenge to this view, particularly as advanced by Gregory Currie. 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引用次数: 0

摘要

代替摘要,这里是内容的简短摘录:书评:阅读作为一种哲学实践,罗伯特·皮尔西,艾丽斯·维德玛·约瓦诺维奇,阅读作为一种哲学实践,由罗伯特·皮尔西,130页。伦敦:国歌出版社,2021。罗伯特·皮尔西的《作为哲学实践的阅读》致力于探索阅读的激情,并解释弗吉尼亚·伍尔夫所说的普通读者而不是专业读者参与阅读的方式。皮尔西对这个问题的回答,也是本书的核心主张,是阅读——独立于主题或体裁——是一种哲学活动,也就是说,“一种对人类独特的经验和能力的反思”(第3页)。皮尔西认为,阅读不可避免地会让人思考属于三个主要哲学领域的问题:与自我有关的问题;那些与伦理问题有关的问题,主要是关于有价值的生命的问题;以及那些关于事物真实本质的本体论问题。这种说法的灵感来自亨利·詹姆斯、斯坦利·卡维尔和马塞尔·普鲁斯特的著作,他们都把阅读描述为一种体验,在这种体验中,一个人的自我扩大,主体性的新维度被揭示出来。皮尔西的目标是准确地理解在这样的发现时刻发生了什么,他着手提供阅读体验的本质,解释为什么阅读对这么多人如此重要。皮尔西在沃尔夫冈·伊瑟尔对阅读的现象学描述和阿拉斯代尔·麦金太尔对实践的描述中找到了他主要主张的哲学基础。皮尔西赞扬伊瑟尔将阅读描述为一种时间延长的活动,在此期间,读者处于文本中,并试图通过不断地经历解释阶段来重建文本。这样一种“流浪的观点”(第20页)通过一种改变的主体性在一个人身上产生了一种生活的感觉。正如皮尔西所说,这种解释的最大价值在于它能够解释文本是如何被赋予一个人的意识的。然而,尽管伊瑟尔的叙述很有见地,但也有局限性,因为他关注的是虚构的经典,而且他相信阅读的目的是对文本做出正确的解释。为了克服这些缺点,皮尔西采用了麦金太尔对实践的描述,并认为将阅读理解为一种社会实践意味着认识到它“嵌入并表达了一系列人类活动和人类的全貌”。此外,将阅读视为一种实践,鼓励我们将其视为“一个空间,一个人反思自己应该成为什么样的人,并努力使自己成为那样的人”(第25页)。在第三章中,皮尔西分析了小说家尼克·霍恩比(Nick Hornby)关于阅读的文章,对这样一个项目进行了研究。这一章特别有趣的是,当一个人追求阅读对自己的幸福很重要时,会出现一些问题:关于哪些书该读,哪些书该跳过的问题,关于重读的问题,等等。这一章的修辞力量是巨大的,在提高一个人对许多细微差别的认识,一个反思性的方法来阅读邀请。这种意识在第六章中得到了进一步的发展,皮尔西在其中提出了“描述性解释学本体论”(第71页),以解释读者如何在阅读过程中发现事物的本质和附属物的价值和意义。有趣的是皮尔西所描述的书籍的双重性质,即它们的材料副本和它们的内容,或虚拟现实,以及两者各自为个体读者获得意义的工具和内在方式。他的结论是,阅读对很多人来说都很重要,因为它让他们体验和反思他们与事物接触时形成的碎片。在第四章中,皮尔西讨论了文学美学的基石之一:玛莎·努斯鲍姆(Martha nussbaum)等人提出的观点——阅读使我们在道德上变得更好。皮尔西承认对这一观点的经验挑战的相关性,特别是由格雷戈里·柯里提出的。皮尔西声称,从阅读中获得伦理教训的努斯鲍姆式方法是一种……
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reading as a Philosophical Practice by Robert Piercey (review)
In lieu of an abstract, here is a brief excerpt of the content:

Reviewed by:

  • Reading as a Philosophical Practice by Robert Piercey
  • Iris Vidmar Jovanović
Reading as a Philosophical Practice, by Robert Piercey, 130 pp. London: Anthem Press, 2021.

Robert Piercey's Reading as a Philosophical Practice is dedicated to exploring the passion of reading, and to explaining ways in which common readers, as Virginia Woolf calls them, rather than professionals, engage with reading. Piercey's answer to this question, which is also the central claim of the book, is that reading—independently of the subject or a genre—is a philosophical activity, that is, "a kind of reflection on experiences and capacities that are distinctive to human beings" (p. 3). As Piercey argues, reading inevitably invites one to consider issues that fall within three main philosophical domains: those related to selfhood; those related to ethical questions, primarily the ones asking about a valuable life; and those concerning ontological questions regarding the true nature of things. Inspiration for this account comes from the writings of Henry James, Stanley Cavell, and Marcel Proust, each of whom describes reading as an experience in which one's self enlarges and new dimensions of subjectivity are revealed. Piercey's ambition is to understand precisely what happens in such moments of discovery, and he sets out to offer an account of the essence of the experience of reading that explains why reading matters so profoundly to so many people.

Piercey finds a philosophical grounding for his main claim in Wolfgang Iser's phenomenological account of reading and Alasdair MacIntyre's account of practice. Piercey praises Iser's account of reading as an activity prolonged in time, during which a reader is situated within the text, and tries to rebuild that text by constantly going through interpretative stages. Such a "wandering viewpoint" (p. 20) generates in one a sense of living through an altered subjectivity. As Piercey argues, the greatest value of this explanation is its capacity to account for how a text is given to one's consciousness.

Insightful as it is, however, Iser's account has limits, given his focus on fictional classics and his belief that the aim of reading is to arrive at the correct interpretation of a text. To overcome these shortcomings, Piercey adopts MacIntyre's account of practice and argues that understanding reading as a [End Page 468] type of social practice means recognizing it as "embedded in, and expressive of, a full range of human activities and a full picture of the human person." Moreover, thinking of reading as a practice encourages us to see it "as a space where one reflects on what kind of a person one should become, and tries earnestly to make oneself into that kind of a person" (p. 25).

What such a project looks like is examined in the third chapter, where Piercey analyzes writings on reading by novelist Nick Hornby. This chapter is particularly interesting in tackling questions that pop up when one pursues reading as important for one's well-being: questions concerning which books to read and which to skip, issues regarding rereading, and the like. The rhetorical power of this chapter is immense, in raising one's awareness of the many nuances that a reflective approach to reading invites. This awareness is further advanced in the sixth chapter, in which Piercey presents "descriptive hermeneutical ontology" (p. 71) to explain how readers discover what is valuable and meaningful about the nature of things and attachments in the process of reading. Interesting here is the dual nature of books that Piercey describes, namely their material copies and their content, or virtual reality, and the instrumental and intrinsic ways in which each of the two can acquire meaning for individual readers. He concludes that reading matters to so many people because it lets them experience and reflect on the fragmentation built into their encounters with things.

In chapter 4, Piercey discusses one of the cornerstones of literary aesthetics: the view—as developed by, among others, Martha Nussbaum—that reading makes us morally better. Piercey acknowledges the relevance of empirical challenge to this view, particularly as advanced by Gregory Currie. Piercey claims that the Nussbaum-like approach to getting ethical lessons from reading is an...

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来源期刊
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0.20
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期刊介绍: For more than a quarter century, Philosophy and Literature has explored the dialogue between literary and philosophical studies. The journal offers a constant source of fresh, stimulating ideas in the aesthetics of literature, theory of criticism, philosophical interpretation of literature, and literary treatment of philosophy. Philosophy and Literature challenges the cant and pretensions of academic priesthoods by publishing an assortment of lively, wide-ranging essays, notes, and reviews that are written in clear, jargon-free prose. In his regular column, editor Denis Dutton targets the fashions and inanities of contemporary intellectual life.
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