音乐、抒情诗和悲剧的非话语美学

IF 0.1 3区 文学 N/A LITERARY THEORY & CRITICISM
Tomislav Zelić
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引用次数: 0

摘要

摘要:音乐、抒情诗和悲剧中所表现的不可言说的东西是否有可能被谈论?如果我们从纯粹的美学角度来看,答案是肯定的。如果我们采用先验主体作为音乐、抒情诗和悲剧的形而上学源泉的观点,那么答案是否定的。在本文中,我将康德、叔本华和尼采的哲学美学中音乐、抒情诗和阿提卡悲剧的非话语性概念化。对于柏拉图的《苏格拉底》和《亚里士多德》,以及索福克勒斯的《底比斯》,我也做了一些附带的评论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Nondiscursive Aesthetics of Music, Lyric Poetry, and Tragedy

Abstract:

Is it possible to speak about the unspeakable as it is represented in music, lyric poetry, and tragedy? The answer is yes, if we adopt a purely aesthetic perspective. The answer is no, if we adopt the perspective of the transcendental subject as the metaphysical source of music, lyric poetry, and tragedy. In this paper, I conceptualize the nondiscursivity of music, lyric poetry, and Attic tragedy in the philosophical aesthetics of Kant, Schopenhauer, and Nietzsche. I also make a few incidental remarks to Plato's Socrates and Aristotle as well as the Theban plays by Sophocles.

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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
18
期刊介绍: For more than a quarter century, Philosophy and Literature has explored the dialogue between literary and philosophical studies. The journal offers a constant source of fresh, stimulating ideas in the aesthetics of literature, theory of criticism, philosophical interpretation of literature, and literary treatment of philosophy. Philosophy and Literature challenges the cant and pretensions of academic priesthoods by publishing an assortment of lively, wide-ranging essays, notes, and reviews that are written in clear, jargon-free prose. In his regular column, editor Denis Dutton targets the fashions and inanities of contemporary intellectual life.
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