提洛斯赞美诗和卡利马库的《底比斯的罪状》

IF 0.4 3区 历史学 0 CLASSICS
Leanna Boychenko
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引用次数: 0

摘要

本文试图解释卡利马库斯在《提洛斯赞美诗》中对底比斯的指责,认为卡利马库斯用阿波罗作为喉舌来表达他的诗歌项目的目标,这不仅表明了早期希腊作品的影响——尤其是品达的《地峡1》——而且表明了他对这些模式的背离。此外,卡利马库斯与品达的关系不仅仅是文学上的,正如通过互文参考所显示的那样,揭示了一种感知到的家庭联系,这有助于解释卡利马库斯使用品达作为来源。卡利马库对底比斯的指责是一个纲领性的陈述,展示了卡利马库如何看待他的资料,他的诗歌和他自己。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Hymn to Delos and Callimachus’ Blame of Thebes
This article seeks to explain Callimachus’ blame of Thebes in the Hymn to Delos, arguing that Callimachus uses Apollo as a mouthpiece to voice the goals of his poetic project, signaling not only the influence of earlier Greek works—particularly Pindar’s Isthmian 1—but also his departure from these models. Moreover, Callimachus’ relationship with Pindar is more than simply literary, as shown through an intertextual reference that reveals a perceived familial tie, which helps explain Callimachus’ use of Pindar as a source. Callimachus’ blame of Thebes is a programmatic statement, demonstrating how Callimachus views his sources, his poetry, and himself.
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来源期刊
MNEMOSYNE
MNEMOSYNE CLASSICS-
CiteScore
0.50
自引率
0.00%
发文量
50
期刊介绍: Since its first appearance as a journal of textual criticism in 1852, Mnemosyne has secured a position as one of the leading journals in its field worldwide. Its reputation is built on the Dutch academic tradition, famous for its rigour and thoroughness. It attracts contributions from all over the world, with the result that Mnemosyne is distinctive for a combination of scholarly approaches from both sides of the Atlantic and the Equator. Its presence in libraries around the globe is a sign of its continued reputation as an invaluable resource for scholarship in Classical studies.
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