{"title":"“心灵和肉体之间可怕的离婚:”约瑟夫·凯塞尔的《白日梦》(1928)","authors":"Hope Christiansen","doi":"10.1080/00397709.2023.2252332","DOIUrl":null,"url":null,"abstract":"The publication in 2020 of Joseph Kessel’s writings in Gallimard’s distinguished Pléiade series prompted Gaby Levin to publish an article titled “France Rediscovers Joseph Kessel, the Jewish Writer...","PeriodicalId":45184,"journal":{"name":"SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2023-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“[L]e divorce terrible entre le cœur et la chair:” Joseph Kessel’s Belle de Jour (1928)\",\"authors\":\"Hope Christiansen\",\"doi\":\"10.1080/00397709.2023.2252332\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The publication in 2020 of Joseph Kessel’s writings in Gallimard’s distinguished Pléiade series prompted Gaby Levin to publish an article titled “France Rediscovers Joseph Kessel, the Jewish Writer...\",\"PeriodicalId\":45184,\"journal\":{\"name\":\"SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-11-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00397709.2023.2252332\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00397709.2023.2252332","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
“[L]e divorce terrible entre le cœur et la chair:” Joseph Kessel’s Belle de Jour (1928)
The publication in 2020 of Joseph Kessel’s writings in Gallimard’s distinguished Pléiade series prompted Gaby Levin to publish an article titled “France Rediscovers Joseph Kessel, the Jewish Writer...
期刊介绍:
Symposium is a quarterly journal of criticism in modern literatures originating in languages other than English. Recent issues include peer-reviewed essays on works by Jorge Luis Borges, Bertolt Brecht, Mikhail Bulgakov, Miguel de Cervantes, Denis Diderot, Fyodor Dostoevsky, Paloma Díaz-Mas, Assia Djebar, Umberto Eco, Franz Kafka, Francis Ponge, and Leonardo Sciascia. Scholars of literature will find research on authors, themes, periods, genres, works, and theory, often through comparative studies. Although primarily in English, some issues include discussions of works in the original language.