{"title":"我的想法来自谁","authors":"Maggie M. Robbins","doi":"10.1080/00107530.2022.2150818","DOIUrl":null,"url":null,"abstract":"<p><b>Abstract</b></p><p>The activities of both art making and literary writing afford lots of mental space for the uncontrolled intervention by “creativity,” that difficult-to-describe-let-alone-define quality of original work. In this piece I will discuss the experience of creativity as an ego-dystonic force. Meaning no disrespect to the Muse, I will present this occurrence as a dissociative phenomenon.</p>","PeriodicalId":0,"journal":{"name":"","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Who My Ideas Come from\",\"authors\":\"Maggie M. Robbins\",\"doi\":\"10.1080/00107530.2022.2150818\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><b>Abstract</b></p><p>The activities of both art making and literary writing afford lots of mental space for the uncontrolled intervention by “creativity,” that difficult-to-describe-let-alone-define quality of original work. In this piece I will discuss the experience of creativity as an ego-dystonic force. Meaning no disrespect to the Muse, I will present this occurrence as a dissociative phenomenon.</p>\",\"PeriodicalId\":0,\"journal\":{\"name\":\"\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0,\"publicationDate\":\"2023-02-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"\",\"FirstCategoryId\":\"102\",\"ListUrlMain\":\"https://doi.org/10.1080/00107530.2022.2150818\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"","FirstCategoryId":"102","ListUrlMain":"https://doi.org/10.1080/00107530.2022.2150818","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The activities of both art making and literary writing afford lots of mental space for the uncontrolled intervention by “creativity,” that difficult-to-describe-let-alone-define quality of original work. In this piece I will discuss the experience of creativity as an ego-dystonic force. Meaning no disrespect to the Muse, I will present this occurrence as a dissociative phenomenon.
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