{"title":"性别空间与合作政治:克里斯汀·朗福德的《复仇》(1933)","authors":"Natasha Remoundou","doi":"10.1080/0013838x.2023.2260277","DOIUrl":null,"url":null,"abstract":"In the context of intersectional gender economies, collaborative genealogies, and hierarchies of (in)visibility in theatre making, this inquiry turns to Christine Longford's little-known play-versi...","PeriodicalId":51858,"journal":{"name":"ENGLISH STUDIES","volume":"63 1","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2023-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Gender Space and Collaboration Politics: Christine Longford’s The Furies (1933)\",\"authors\":\"Natasha Remoundou\",\"doi\":\"10.1080/0013838x.2023.2260277\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the context of intersectional gender economies, collaborative genealogies, and hierarchies of (in)visibility in theatre making, this inquiry turns to Christine Longford's little-known play-versi...\",\"PeriodicalId\":51858,\"journal\":{\"name\":\"ENGLISH STUDIES\",\"volume\":\"63 1\",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-11-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ENGLISH STUDIES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/0013838x.2023.2260277\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ENGLISH STUDIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/0013838x.2023.2260277","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Gender Space and Collaboration Politics: Christine Longford’s The Furies (1933)
In the context of intersectional gender economies, collaborative genealogies, and hierarchies of (in)visibility in theatre making, this inquiry turns to Christine Longford's little-known play-versi...
期刊介绍:
The periodical English Studies was founded more than 75 years ago by the Dutch grammarian R.W. Zandvoort. From the very first, linguistics was only one of its areas of interest. English Studies was and is a unique publication in the field of "English" because of its range: it covers the language and literature of the English-speaking world from the Old English period to the present day. In spite of this range, the foremost position of English Studies in many of these areas is undisputed: it attracts contributions from leading experts who recognise this periodical as the most obvious vehicle for addressing both their fellow-experts and those whose professional interest in "English" is more general.