{"title":"标志、广告牌和涂鸦在一个再生的理事会地产中的社会空间话语","authors":"Iris Altenberger","doi":"10.1080/10350330.2022.2090832","DOIUrl":null,"url":null,"abstract":"<p><b>ABSTRACT</b></p><p>Residents within a council housing area in Stirling, Scotland, which is undergoing regeneration, took photos for an auto-driven photo-elicitation study. There was limited guidance on what images to capture. Residents were simply invited to focus on the neighbourhood. An unexpected finding was the significance participating residents gave to the linguistic and semiotic landscape such as signs, billboards and graffiti. Within the interview, it became apparent that the participants considered the signs as part of the expression of spatial social discourse. Therefore, the billboards and signs placed there by the powerful social actors such as developers were understood and scrutinised for their claims and the lived reality of residents. Also, graffiti was understood in context with the social-spatial dialectic of being inscribed within a community with an underlying sectarian discourse.</p>","PeriodicalId":21775,"journal":{"name":"Social Semiotics","volume":"41 7","pages":""},"PeriodicalIF":1.6000,"publicationDate":"2022-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Signs, billboards, and graffiti a social-spatial discourse in a regenerated council estate\",\"authors\":\"Iris Altenberger\",\"doi\":\"10.1080/10350330.2022.2090832\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><b>ABSTRACT</b></p><p>Residents within a council housing area in Stirling, Scotland, which is undergoing regeneration, took photos for an auto-driven photo-elicitation study. There was limited guidance on what images to capture. Residents were simply invited to focus on the neighbourhood. An unexpected finding was the significance participating residents gave to the linguistic and semiotic landscape such as signs, billboards and graffiti. Within the interview, it became apparent that the participants considered the signs as part of the expression of spatial social discourse. Therefore, the billboards and signs placed there by the powerful social actors such as developers were understood and scrutinised for their claims and the lived reality of residents. Also, graffiti was understood in context with the social-spatial dialectic of being inscribed within a community with an underlying sectarian discourse.</p>\",\"PeriodicalId\":21775,\"journal\":{\"name\":\"Social Semiotics\",\"volume\":\"41 7\",\"pages\":\"\"},\"PeriodicalIF\":1.6000,\"publicationDate\":\"2022-06-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Social Semiotics\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1080/10350330.2022.2090832\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Social Semiotics","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/10350330.2022.2090832","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"COMMUNICATION","Score":null,"Total":0}
Signs, billboards, and graffiti a social-spatial discourse in a regenerated council estate
ABSTRACT
Residents within a council housing area in Stirling, Scotland, which is undergoing regeneration, took photos for an auto-driven photo-elicitation study. There was limited guidance on what images to capture. Residents were simply invited to focus on the neighbourhood. An unexpected finding was the significance participating residents gave to the linguistic and semiotic landscape such as signs, billboards and graffiti. Within the interview, it became apparent that the participants considered the signs as part of the expression of spatial social discourse. Therefore, the billboards and signs placed there by the powerful social actors such as developers were understood and scrutinised for their claims and the lived reality of residents. Also, graffiti was understood in context with the social-spatial dialectic of being inscribed within a community with an underlying sectarian discourse.