莱斯利·西尔科《讲故事的人》中照片的符号学解读

IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Wei Song
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引用次数: 0

摘要

美国土著女作家莱斯利·马蒙·西尔科在她的自传《说书人》中收录了许多关于家庭和土地的照片。从符号学的角度,特别是从罗兰·巴特的形象修辞学的角度,分析了她的书中形象与文字的关系。这些照片的语言信息以及编码和非编码的标志性信息有助于理解拉古纳普韦布洛人的时间和地点概念。关于家庭的照片展示了拉古纳家族历史的周期性时间扩张和传统的变化。关于土地和背后故事的照片将他们的祖先文化传递给下一代和下一代。照片作为一种反对线性时间和人类对自然暴力的标志,帮助原住民重塑他们的历史,重新设想他们的主体性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Semiotic interpretation of photos in Leslie Silko’s Storyteller
Leslie Marmon Silko, a Native American female writer, includes many photos about family and land in her autobiography Storyteller. The relations of images and words in her book are analyzed from the perspective of semiotics, particularly from Roland Barthes’s image rhetoric. The linguistic message and the coded and non-coded iconic message of the photos help in understanding the Laguna Pueblo concept of time and place. Photos about family show the cyclical time expanse of the family history and the change of traditions in Laguna. Photos about land and the stories behind pass on their ancestral culture to the next and the next generation. Photos, as a sign to be against linear time and against humans’ violence to nature, help the indigenous reshape their history and re-envision their subjectivity.
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来源期刊
Chinese Semiotic Studies
Chinese Semiotic Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
36
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