控制不确定性,产生主观性:从模式I到模式II情景

IF 0.7 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY
Limor Smimian-Darash, Michael Rabi
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引用次数: 1

摘要

追溯情景技术的出现及其使用方式的关键转变,我们认为情景代表了一种控制未来不确定性的新方法。我们分析了两种最有影响力的技术方法——赫尔曼·卡恩和皮埃尔·瓦克。在第一种情况下,场景作为未来不确定性本体论问题的解决方案而出现——这种解决方案试图将想象力作为一种关于未来的推理形式(模式一场景)。然而,在第二种情况下,情景似乎是认识论问题的解决方案——一种挑战和改变感知的方式,一种纠正人们对世界的感知并接受其不确定性的方式。也就是说,场景成为一种进入不确定感性的方式,以及一种与不确定性相关并以不确定性为中心的特定体验和实践模式——一种新的主体化模式。我们把这种情况称为模式II情景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Governing uncertainty, producing subjectivity: from Mode I to Mode II scenarios

Tracing the emergence of the scenario technology and key shifts in how it is used, we argue that scenarios represent a new way of governing future uncertainty. We analyse two of the most influential approaches to the technology—those of Herman Kahn and Pierre Wack. In the first, scenarios emerge as a solution to an ontological problem of future uncertainty—a solution that seeks to use imagination as a form of reasoning about the future (Mode I scenarios). In the second, however, scenarios appear as a solution to an epistemological problem—a way of challenging and changing perceptions, of remediating one’s perception of the world and accepting its uncertainty. That is, scenarios become a way of entering into an uncertain sensibility and a particular mode of experience and practice related to and centred on uncertainty—a new mode of subjectivation. We refer to this as Mode II scenarios.

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来源期刊
Subjectivity
Subjectivity SOCIAL SCIENCES, INTERDISCIPLINARY-
CiteScore
1.00
自引率
20.00%
发文量
17
期刊介绍: Subjectivity is an international, transdisciplinary journal examining the social, cultural, historical and material processes, dynamics and structures of human experience. As topic, problem and resource, notions of subjectivity are relevant to many disciplines, including cultural studies, sociology, social theory, geography, anthropology and psychology. The journal brings together scholars from across the social sciences and the humanities, publishing high-quality theoretical and empirical papers that address the processes by which subjectivities are produced, explore subjectivity as a locus of social change, and examine how emerging subjectivities remake our social worlds.
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