音乐密码学和“leÓn反电话”的早期历史

IF 0.2 1区艺术学 0 MUSIC

EARLY MUSIC HISTORY Pub Date : 2017-09-12 DOI:10.1017/s0261127917000018

Elsa De Luca

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引用次数: 1

摘要

“León安提福涅”，León，大教堂图书馆，MS 8，是包含古西班牙圣歌的最完整的手稿，包括整个教会年的办公室和弥撒圣歌。因此，León安提福涅是研究最多的古西班牙手稿。尽管如此，它的年代还是有争议的，假说从公元906年(mensamendez Pidal)到11世纪(Zapke和其他人)不等。在这篇文章中，手稿的日期和早期历史被重新考虑，并带来了一个全新的角度来承担的问题，何时，何地，以及手稿是为谁写的。重新解释在卷宗底部发现的密码铭文。128v和14rhas可以确定安提福涅的赞助人是León的主教San Froilán，并将手稿的制作日期确定为900-5年。SS Cosmas和Damian在Abellar的修道院的写字间被认为是最有可能制作Antiphoner的地方。

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MUSICAL CRYPTOGRAPHY AND THE EARLY HISTORY OF THE ‘LEÓN ANTIPHONER’

The ‘León Antiphoner’, León, Cathedral Library, MS 8, is the most complete manuscript containing Old Hispanic chant, comprising Office and Mass chants for the whole church year. As such, the León Antiphoner is the most studied Old Hispanic manuscript. Despite this, its dating is controversial and hypotheses have ranged from c. 906 (Menéndez Pidal) up to the eleventh century (Zapke and others). In this article, the dating and early history of the manuscript are reconsidered and an entirely new perspective is brought to bear on the questions of when, where, and for whom the manuscript was written. The reinterpretation of the cryptographic inscriptions found at the bottom of fols. 128vand 149rhas made it possible to identify the patron of the Antiphoner as San Froilán, Bishop of León, and to date the manuscript’s production to the years 900–5. The scriptorium of the monastery of SS Cosmas and Damian in Abellar is suggested as the likeliest place of production of the Antiphoner.

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来源期刊

EARLY MUSIC HISTORY MUSIC-

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. The scope is broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society.