{"title":"大流行后室内产品设计师在提高工艺和家具工匠福利中的作用","authors":"Grace Mulyono, Jochepine Cornelya Cristy","doi":"10.33019/society.v11i1.417","DOIUrl":null,"url":null,"abstract":"The creative industry is expected to drive economic growth in Indonesia after the COVID-19 pandemic. Abundant local materials and skilled human resources are two major strengths that need to be optimally managed to increase the selling value of design products. The pandemic has significantly impacted the welfare of furniture and handicraft artisans in Java. This paper aims to demonstrate the process and role of interior product designers (IPDs) in improving the socio-economic welfare of artisans after the pandemic. IPDs collaborated with Small and Medium Enterprises (SMEs), artisans, private entrepreneurs, governments, exporters, and associations to deal with vulnerabilities after the pandemic to achieve the development of policies and strategies toward sustainable community welfare. This IPDs role mainly focused on utilizing water hyacinth and rattan as the material for interior products to be accepted in local and global markets. The IPDs faced challenges in collaboration and unification of aspirations and interests between each party. The research used Kelley’s design thinking method, implementing the empathize, define, ideate, prototype, and test stages. The latest information on commodities produced by SME artisans, the existing advantages and disadvantages, and in-depth studies of developing market issues in Indonesia, Asia, and Europe were explored. The resulting design was then adjusted to the availability of raw materials, the production capabilities of the artisan, as well as the support of tools and technology used. The production process involved the government and industrial assistance in supporting the needs of machinery and production technology. Market tests at home country and abroad were conducted to determine the market response to the product. With a good market response, it is hoped that there will be policy development from the government and industry associations to support joint work to achieve a strategy for the socio-economic welfare of the community, especially groups of artisans.","PeriodicalId":47267,"journal":{"name":"Society","volume":"1 1","pages":"0"},"PeriodicalIF":1.4000,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Role of Interior Product Designers in Improving the Welfare of Craft and Furniture Artisans after Pandemic\",\"authors\":\"Grace Mulyono, Jochepine Cornelya Cristy\",\"doi\":\"10.33019/society.v11i1.417\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The creative industry is expected to drive economic growth in Indonesia after the COVID-19 pandemic. Abundant local materials and skilled human resources are two major strengths that need to be optimally managed to increase the selling value of design products. The pandemic has significantly impacted the welfare of furniture and handicraft artisans in Java. This paper aims to demonstrate the process and role of interior product designers (IPDs) in improving the socio-economic welfare of artisans after the pandemic. IPDs collaborated with Small and Medium Enterprises (SMEs), artisans, private entrepreneurs, governments, exporters, and associations to deal with vulnerabilities after the pandemic to achieve the development of policies and strategies toward sustainable community welfare. This IPDs role mainly focused on utilizing water hyacinth and rattan as the material for interior products to be accepted in local and global markets. The IPDs faced challenges in collaboration and unification of aspirations and interests between each party. The research used Kelley’s design thinking method, implementing the empathize, define, ideate, prototype, and test stages. The latest information on commodities produced by SME artisans, the existing advantages and disadvantages, and in-depth studies of developing market issues in Indonesia, Asia, and Europe were explored. The resulting design was then adjusted to the availability of raw materials, the production capabilities of the artisan, as well as the support of tools and technology used. The production process involved the government and industrial assistance in supporting the needs of machinery and production technology. Market tests at home country and abroad were conducted to determine the market response to the product. 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The Role of Interior Product Designers in Improving the Welfare of Craft and Furniture Artisans after Pandemic
The creative industry is expected to drive economic growth in Indonesia after the COVID-19 pandemic. Abundant local materials and skilled human resources are two major strengths that need to be optimally managed to increase the selling value of design products. The pandemic has significantly impacted the welfare of furniture and handicraft artisans in Java. This paper aims to demonstrate the process and role of interior product designers (IPDs) in improving the socio-economic welfare of artisans after the pandemic. IPDs collaborated with Small and Medium Enterprises (SMEs), artisans, private entrepreneurs, governments, exporters, and associations to deal with vulnerabilities after the pandemic to achieve the development of policies and strategies toward sustainable community welfare. This IPDs role mainly focused on utilizing water hyacinth and rattan as the material for interior products to be accepted in local and global markets. The IPDs faced challenges in collaboration and unification of aspirations and interests between each party. The research used Kelley’s design thinking method, implementing the empathize, define, ideate, prototype, and test stages. The latest information on commodities produced by SME artisans, the existing advantages and disadvantages, and in-depth studies of developing market issues in Indonesia, Asia, and Europe were explored. The resulting design was then adjusted to the availability of raw materials, the production capabilities of the artisan, as well as the support of tools and technology used. The production process involved the government and industrial assistance in supporting the needs of machinery and production technology. Market tests at home country and abroad were conducted to determine the market response to the product. With a good market response, it is hoped that there will be policy development from the government and industry associations to support joint work to achieve a strategy for the socio-economic welfare of the community, especially groups of artisans.
期刊介绍:
Founded in 1962, Society enjoys a wide reputation as a journal that publishes the latest scholarship on the central questions of contemporary society. It produces six issues a year offering new ideas and quality research in the social sciences and humanities in a clear, accessible style.
Society sees itself as occupying the vital center in intellectual and political debate. Put negatively, this means the journal is opposed to all forms of dogmatism, absolutism, ideological uniformity, and facile relativism. More positively, it seeks to champion genuine diversity of opinion and a recognition of the complexity of the world''s issues.
Society includes full-length research articles, commentaries, discussion pieces, and book reviews which critically examine work conducted in the social sciences as well as the humanities. The journal is of interest to scholars and researchers who work in these broadly-based fields of enquiry and those who conduct research in neighboring intellectual domains. Society is also of interest to non-specialists who are keen to understand the latest developments in such subjects as sociology, history, political science, social anthropology, philosophy, economics, and psychology.
The journal’s interdisciplinary approach is reflected in the variety of esteemed thinkers who have contributed to Society since its inception. Contributors have included Simone de Beauvoir, Robert K Merton, James Q. Wilson, Margaret Mead, Abraham Maslow, Richard Hoggart, William Julius Wilson, Arlie Hochschild, Alvin Gouldner, Orlando Patterson, Katherine S. Newman, Patrick Moynihan, Claude Levi-Strauss, Hans Morgenthau, David Riesman, Amitai Etzioni and many other eminent thought leaders.
The success of the journal rests on attracting authors who combine originality of thought and lucidity of expression. In that spirit, Society is keen to publish both established and new authors who have something significant to say about the important issues of our time.