线中的作品与以色列纤维艺术的出现

IF 0.2 3区 艺术学 0 ART
Noga Bernstein
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引用次数: 0

摘要

本文讨论了以色列建国前三十年纺织品展览的历史,重点关注1975年在以色列博物馆设计与建筑部门举办的具有开创性但完全被忽视的展览“线中的作品”。正如这篇文章所展示的,“线中的作品”是实用和艺术纺织品的折衷汇编,包括手工和机器制造,但它特别强调了艺术纺织品的新媒介,或纤维艺术,在当地被称为“软线作品”。我认为这次展览作为一个考古遗址,揭示了以色列纺织生产的短暂历史中的多种趋势,特别是纺织品和纤维制品逐渐被视为审美消费的对象,而不仅仅是有用的过程。本文通过在历史语境中考察“线中作品”,试图阐明以色列早期纤维艺术的多方面来源,并将其在当地的表现和国际工作室工艺运动置于语境中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Works in Thread and the Emergence of Israeli Fiber Art
This article discusses the history of textile exhibitions in Israel during the state’s first three decades, focusing on the seminal yet completely overlooked exhibition Works in Thread, held at the Israel Museum’s Design & Architecture Department in 1975. As this article shows, Works in Thread was an eclectic compilation of applied- and art-textiles, both hand- and machine-made, but it particularly highlighted the new medium of art textiles, or fiber art, known locally as “work in soft thread.” I argue that this exhibition serves as an archeological site that reveals multiple currents in the short history Israel’s textile production, particularly a process by which textiles and fiber works were gradually perceived as objects for aesthetic consumption rather than merely useful ones. By considering Works in Thread in its historical context, this article seeks to illuminate the multi-faceted sources for Israel’s early fiber art, and contextualize the local manifestation of of and the international studio craft movement.
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来源期刊
CiteScore
0.20
自引率
33.30%
发文量
24
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