生存不是栖息:尤里·m·洛特曼的《尤利西斯》和他的超人类主义语境

IF 0.9 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Semiotica Pub Date : 2023-10-27 DOI:10.1515/sem-2023-0121
Ondřej Váša
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引用次数: 0

摘要

本文将尤里·m·洛特曼构想的但丁式尤利西斯形象置于语境中,并将这个现代性的关键人物拉入一个相互关联的话语网络中:主要是人类在太空中的未来的超人类主义愿景,然而,这一愿景产生于“不安”的特定现代认知维度,并与战后航天学、人类再造的电子人愿景和思测现实主义的革命性考虑交织在一起。关键在于洛特曼强调尤利西斯是一个具有“思想能量”的人物;在这方面,本文展示了由尤利西斯形象所体现的最初的诗意“决定”如何以未来的名义提倡隐含的残忍(被视为不可避免的命运),以及这个决定如何产生一个逻辑的、逐步展开的一系列“不人道”的人的形象,这些人位于宇宙中,作为一个无情智慧的物质饱和事件。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
To be is not to inhabit: Yuri M. Lotman’s Ulysses and his transhumanist context
Abstract This essay contextualizes the Dantean figure of Ulysses, as conceived by Yuri M. Lotman, and draws this key figure of modernity into a network of mutually interconnected discourses: primarily transhumanist visions of the human future in space, which nevertheless arise from the specifically modern epistemic dimension of “restlessness,” and intertwine with post-war astronautics, cyborg visions of human re-engineering, and revolutionary considerations of speculative realism. The key is Lotman’s emphasis on Ulysses as a figure of “energy of thought”; in this regard, the essay shows how the original poetic “decision,” embodied by the Ulysses figure, advocates implicit cruelty in the name of the future (treated as an inevitable fate), and how this decision generates a logical and progressively unfolding series of “inhuman” images of man situated in the universe as an event of saturation of matter with merciless intelligence.
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来源期刊
Semiotica
Semiotica Multiple-
CiteScore
1.30
自引率
37.50%
发文量
65
期刊介绍: Semiotica, the Journal of the International Association for Semiotic Studies, founded in 1969, appears in five volumes of four issues per year, in two languages (English and French), and occasionally in German. Semiotica features articles reporting results of research in all branches of semiotic studies, in-depth reviews of selected current literature in this field, and occasional guest editorials and reports. From time to time, Special Issues, devoted to topics of particular interest, are assembled by Guest Editors. The publishers of Semiotica offer an annual prize, the Mouton d"Or, to the author of the best article each year. The article is selected by an independent international jury.
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