舞蹈表演中的符号学过程:一个批判性的回顾

IF 0.5 2区 艺术学 0 ART
Natalia Ollora-Triana, Miguel Corbi Santamaría, Alfredo Jiménez-Eguizábal, Esther García-Zabaleta
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引用次数: 0

摘要

迄今为止,关于舞蹈符号学的文献很少,也没有很好的整合。对学术研究进行全面的回顾可以显示出哪些主题是最关键的,以及发展这一研究领域还需要什么。在本文中,我们旨在通过对2000年至2022年在Web of Science (WoS)、Scopus、Dialnet、ÍnDICEs-CSIC、EBSCO和Google Scholar上发表的论文进行书目综述来填补这一空白。我们的回顾表明,在舞蹈领域内,以往的研究强调各种动态元素的共存,其主要目的是在舞蹈传播过程中塑造戏剧的结构,促进理解。我们强调了关注观众作为意义的建构者和行为象征主义的参与者的相关性,而不仅仅是作为被动的观察者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Semiologic process in the performance of a dance performance: a critical review
Literature on the semiology of dance is scarce and not well integrated so far. A comprehensive review of the scholarly research would allow showing which themes are the most critical ones, and what is still needed to develop this research field. In this article we aim to fill this gap by conducting a bibliographic review of papers published in Web of Science (WoS), Scopus, Dialnet, ÍnDICEs-CSIC, EBSCO, and Google Scholar from 2000 to 2022. Our review shows that within the field of dance, previous studies have emphasized the coexistence of various dynamic elements whose main purpose is to shape the construction of the play and facilitate understanding in the dance communication process. We highlight the relevance of focusing on the spectator as constructor of meaning and participant of the symbolism of the act, and not only as a passive observer.
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来源期刊
CiteScore
0.90
自引率
20.00%
发文量
93
审稿时长
24 weeks
期刊介绍: Arte, Individuo y Sociedad (ISSN 1131-5598, ISSN-e 1988-2408) is a quarterly journal that publishes articles and research studies on the visual arts and how they relate to the social, historical, political and cultural context from different scientific fields, particularly creative and artistic education. In addition to scientific articles, bibliographical reviews are also included.
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