Theatre and Performance

Abstract It’s a cliché, of course, to open an annual review by pointing out how the texts under discussion reflect our contemporary moment. And none of the books reviewed here are modish responses to passing scholarly fads. All speak first and foremost to concerns located at the very heart of the theatre medium itself: the imaginative construction of alternative shared worlds, and the exploration of our hopes and fears around modes of interpersonal touch and intimacy. So, forgive me just one brief reflection on how it is surely no coincidence that the books that intervene most excitingly and meaningfully in the scholarly field this year are also those that speak to some of the most pressing anxieties and desires in the broader world as well, in the wake of pandemic contagion, the #MeToo movement, a cost-of-living crisis, and continued dystopic crises in both the academic industry and in national and global politics. The first section of this chapter, ‘Utopia’, reviews three monographs that discuss the intersections between theatre, concepts of utopia and utopian thinking: Siân Adiseshiah’s Utopian Drama: In Search of a Genre, Selina’s Busby’s Applied Theatre: A Pedagogy of Utopia and Ryan Claycomb’s In the Lurch: Verbatim Theater and the Crisis of Democratic Deliberation. The second section, ‘Touch and Intimacy’, reviews two books that cast an eye on questions of touch and intimacy onstage, from a contemporary practice-based and historical scholarly perspective respectively: Supporting Staged Intimacy: A Practical Guide for Theatre Creatives, Managers, and Crew, co-authored by Alexis Black and Tina M. Newhauser, and Alex MacConochie’s Staging Touch in Shakespeare’s England.