乔治山多夫斯基情节中的女主人公是野蛮人:阿雅的论战。帕娜耶娃与A. V.德鲁日宁(基于故事养蜂场的材料)

Anastasia A. Ponomareva, Anna S. Dubinina
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引用次数: 0

摘要

这篇文章是专门研究阿雅族的。Panaeva的故事。本文论证了这个故事是a·v·德鲁日宁的小说《波林卡·萨克》中爱情与家庭关系的进步方案的一种复制。沙的小说《雅克》受到当代文坛的热烈欢迎。采用Zh。桑德的小说与a·v·德鲁日宁的小说情节变化相同,作者构建了一种新的情节组合,揭示了女性解放的另一种观点。作者表明,a . V.德鲁日宁和支持他的项目的作家们宣称女性是一个对象(爱/发展等),而忽视了她的天赋。作者通过与他们的争论,创作了一部小说,揭示了女性自我意识发展的资源不是外在的,而是内在的。为了表达她的想法,a。帕纳耶娃采用了一个中心人物自然是女主角的情节。这是一个来自文明世界的男人爱上了一个野蛮女主人公的情节。本文认为,这一情节的转变取决于新的思想任务:强制性演员(女主人公是野蛮人、女主人公的捍卫者、来自文明世界的男人)的功能发生了变化,增加了新的情节环节。在分析过程中,得出的结论是a。帕纳耶娃解构了挽救婚姻的观念,即男人对女人的发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Heroine Is a Savage in the Georgsandovsky plot: The Polemic of A. Ya. Panaeva with A. V. Druzhinin (Based on the Material of the Story Apiary)
The article is devoted to the study of the A. Ya. Panaeva’s story Apiary. The paper proves that the story was a kind of replica of the progressive project of love and family relations, which took shape in the A. V. Druzhinin’s story Polinka Saks under the influence of the Zh. Sand’s novel Jacques an warmly welcomed by the circle of Contemporary. Using the plot scheme of the Zh. Sand’s novel with the same plot shifts with which it is presented in the A. V. Druzhinin’s story, the writer builds a new plot combination that reveals an alternative idea of the emancipation of a woman. The writer shows that A. V. Druzhinin and the writers who supported his project declare the idea of a woman as an object (love / development, etc.), while ignoring her natural giftedness. Arguing with them, the writer creates a novel in which it is shown that the resource for the development of female self-consciousness is not outside, but inside her. To express her idea, A. Ya. Panaeva uses a plot in which the central figure is a natural heroine. This is the plot of a man from the civilized world in love with a heroine is a savage. The paper shows that this plot is transformed depending on new ideological tasks: the functions of mandatory actors (a heroine is a savage, a defender of the heroine, a man from the world of civilization) change, new plot links are added. During the analysis, it was concluded that A. Ya. Panaeva deconstructs the idea of a saving marriage, the development of a woman by a man.
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