图瓦人的萨满叙事:情节与主题构成

Zhanna M. Yusha
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摘要

本文致力于研究萨满叙事-图瓦人传统文化中很少研究的方面之一。在民俗学和民族志资料的基础上,总结了萨满故事所包含的神话观,首次对萨满叙事进行了情节-主题分类,确定了萨满故事的8个情节-主题类群,其中包括33个小类群。结果表明,图维尼亚人的萨满故事的主要特征是他们对真实性的态度。尽管一些故事充满幻想和虚构,但传统的承担者认为它们是真实的故事,证实了萨满作为被选中的灵魂的力量。每一个选定的主题组都有自己的特点和一定的情节构成母题。他们在主题组中的数量取决于这个主题在图维尼亚民间传说传统中的发展。本文考察了萨满故事的体裁创意、构成结构以及口头叙事传统的存在机制,揭示了萨满神话的主要公设在故事中的反映,分析了萨满叙事与民族志现实的紧密联系所体现的语义和语用的丰富性。本文以作者在捷克共和国(2020年)和中华人民共和国新疆(2010-2018年)收集的公开数据和实地资料为基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Shamanic Narratives of Tuvans: Plot and Thematic Composition
The article is devoted to the study of shamanic narratives – one of the little-studied aspects of the traditional culture of Tuvans. On the basis of folklore and ethnographic materials, the mythological views contained in shamanic stories are summarized, the plot-thematic classification of the fund of shamanic narratives is carried out for the first time, as a result of which eight plot-thematic groups are identified, which includes thirty-three subgroups. It is revealed that the main feature of all the shamanic stories of Tuvinians is their attitude to authenticity. Despite the fantasticism and fictionality of some stories, the bearers of the tradition perceive them as authentic stories confirming the power of shamans as chosen spirits. Each selected thematic group has characteristic features and a certain composition of plot-forming motifs. Their number in the thematic group depends on the development of this topic in the folklore tradition of the Tuvinians. The genre originality of shamanic stories, their compositional structure are considered, as well as the mechanisms of existence of the oral narrative tradition are characterized, the reflection of the main postulates of shamanic mythology is revealed in the stories, the semantic and pragmatic fullness of shamanic narratives in their close connection with ethnographic reality is analyzed. The work is written on the basis of published data and field materials of the author collected in the Republic of Tyva (2020) and the Xinjiang People’s Republic of China (2010–2018).
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