文学杂志“现在”和马克西姆·高尔基:冲突的历史

Sergey S. Vasilyev
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摘要

本文论述了文学杂志《当下》与马克西姆·高尔基之间的冲突历史。可以看出,杂志上对高尔基的态度并不总是批评的(但一开始是完全赞扬的),而且随着时间的推移而改变。冲突的起点是围绕高尔基在《消息报》上对尼古拉·阿西耶夫的书《化妆美人》的评论所引发的争议。高尔基对阿西耶夫的批评反应尖锐的一个可能原因是:在与高尔基讨论苏联现代文学时,阿西耶夫选择了一种导师式的语气。冲突的进一步发展可以在期刊上看到(高尔基的文章《工人阶级必须教育自己的文化大师》)。新西伯利亚无产阶级对这篇文章的尖锐批判反应,也影响了《现在》的作者。在布尔什维克全联盟共产党全体会议(VKP(b))上对罗伯特·艾克冲突的反应。可以看出该杂志正试图软化其政策。报告指出,这些尝试是迟来的,没有成功。这里说明了布尔什维克全联盟共产党中央委员会1929年12月25日《关于西伯利亚部分作家和文学团体反对马克西姆·高尔基的讲话》的决议是如何结束这场冲突的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Literary Magazine “The Present” and Maxim Gorky: To the History of the Conflict
The article discusses the history of the conflict between the literary magazine “The Present” and Maxim Gorky. It is shown that the attitude towards Gorky on the pages of the magazine was not always critical (but at first completely complimentary) and changed over time. The starting point of the conflict is the controversy around Gorky’s review in the “Izvestia” newspaper of Nikolai Aseev’s book “The Make-up Beauty”. A possible reason for Maxim Gorky’s sharp reaction to Aseev’s criticism is indicated: in a discussion with Gorky of modern Soviet literature Aseev chooses a mentoring tone. The further development of the conflict is traced on the pages of periodicals (Gorky’s article “The working class must educate its masters of culture”). The sharply critical reaction of the Novosibirsk Proletkult to this article, which also affected the authors of “The Present”, is shown. The reaction to the conflict of Robert Eikhe at the plenum of the All-Union Communist Party of Bolsheviks (VKP(b)) is shown. It can be seen how the magazine is trying to soften its policy. It is indicated that these attempts were belated and did not succeed. It is shown how the resolution of the Central Committee of the All-Union Communist Party of Bolsheviks “On the speeches of a part of Siberian writers and literary organizations against Maxim Gorky” of December 25, 1929, draws a line under the conflict.
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