传染病的人文:“西班牙”流感大流行的文学和视觉表现如何补充、复杂化和校准COVID-19叙事

IF 0.5 Q3 CULTURAL STUDIES
Nahum Welang
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引用次数: 0

摘要

我的文章探讨了“西班牙”流感传染的文学和视觉表现如何预示和产生关于流行病的批判性话语。d·h·劳伦斯的中篇小说《狐狸》刻画了对生物异常和丧失代理能力的偏执,这是对流行病威胁的可能反应;约瑟夫·普拉的文学非虚构作品《灰色笔记本》探讨了在传染病经历中,遗忘行为如何作为一种应对机制发挥作用;约翰·辛格·萨金特的画作《医院帐篷的内部》提出了遗忘与流行病准备之间的矛盾。由于这些作品利用微妙但有效的隐喻来理解、记忆和伦理化在全球传染病中生活的创伤,它们揭示了隐喻以意想不到的方式重新思考或产生有关COVID-19等流行病的关键资源。因此,我的文章认为,这些作品补充、复杂化并最终校准关于COVID-19的霸权叙事的能力,为人文主义见解的教育相关性提供了一个有说服力的案例。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Humanities of Contagion: How Literary and Visual Representations of the “Spanish” Flu Pandemic Complement, Complicate and Calibrate COVID-19 Narratives
Abstract My article examines how literary and visual representations of the “Spanish” Flu contagion foreshadow and generate critical discourses about pandemics. D.H. Lawrence’s novella The Fox characterises paranoia about biological abnormality and loss of agency as a likely reaction to epidemic threats, Josep Pla’s literary non-fiction The Gray Notebook explores how the act of forgetting functions as a coping mechanism during the experience of contagion, and John Singer Sargent’s painting The Interior of a Hospital Tent problematises the contradiction between forgetfulness and pandemic preparedness. Because these works utilise subtle but effective metaphors to understand, remember, and ethicise the trauma of living through a global contagion, they reveal the unexpected ways that metaphors rethink or generate critical resources about pandemics such as COVID-19. My article thus argues that the ability of these works to complement, complicate, and ultimately calibrate hegemonic narratives about COVID-19 makes a persuasive case for the educational relevance of humanistic insights.
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来源期刊
Open Cultural Studies
Open Cultural Studies CULTURAL STUDIES-
CiteScore
0.80
自引率
0.00%
发文量
18
审稿时长
15 weeks
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