创伤连续体:埃尔内森·约翰和特里西娅·努瓦巴尼小说中的叙述剥夺、异议和亵渎

Opeyemi Ajibola
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引用次数: 0

摘要

尼日利亚北部在当代一直以内乱、暴力和叛乱等不同政见而闻名。埃尔内森·约翰(Elnathan John)的《生于星期二》和特里西亚·努瓦巴尼(Tricia Nwaubani)的《埋在猴面包树下》(Buried Beneath the Baobab Tree)被仔细阅读,以强调这些文本是对尼日利亚北部年轻人在博科圣地(Boko Haram)叛乱所造成的创伤经历的再现。这是为了突出作者对异议的原因和后果的局内人观点,以强调小说对异议作为复杂和多维现实的细微理解的贡献。根据Ngugi wa Thiong 'o对小说倡导政治变革的能力的肯定,以及对创伤的估计,特别是在后殖民背景下的多元化,我将异议,剥夺和亵渎视为规范的创伤性类别和场所,从而在巩固叛乱的地方和权力的复杂相互作用中,突出了社会背景和历史进程的首要地位。这些小说揭示了,年轻人在叛乱引发的创伤中首当其冲,他们必须站起来,举起大棍,反对无能的领导人,在他们的统治下,叛乱和土匪已经成为收入最高的企业,如果要结束剥夺、异议和亵渎的创伤连续性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Trauma Continuum: Narrating Deprivation, Dissent and Desecration in Elnathan John and Tricia Nwaubani’s Fiction
Northern Nigeria has in contemporary time been renowned for dissent that manifests in civil unrest, violence and insurgency. Elnathan John’s Born on a Tuesday and Tricia Nwaubani’s Buried Beneath the Baobab Tree, are closely read, to underscore the texts’ recreation of northern Nigerian young adults’ experiences of trauma occasioned by the Boko Haram insurgency. This is to foreground the writers’ insiders’ perspectives on the causes and consequences of dissent, with a view to underscoring the novels’ contribution to a nuanced understanding of dissent as a complex and multidimensional reality. Aligning with Ngugi wa Thiong’o’s certainty on the novel’s capacity to advocate for political change, and the estimation of trauma, especially within the postcolonial context as pluralistic, I read dissent, deprivation and desecration as normatively traumatogenic categories cum sites, thereby foregrounding the primacy of social contexts and historical processes in the complex interplay of place and power that undergird insurgency. The novels reveal that youths, who bear the brunt of insurgency-induced traumas the most, must arise and raise the cudgel against the inept leaders under whose watch insurgency and banditry have become the highest income-grossing enterprise, if the trauma continuum of deprivation, dissent and desecration will be terminated.
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