消极的情感色彩:哈萨克-美国民族心理语言学比较

Indira B. Bulegenova, Irina S. Karabulatova, Gulzira K. Kenzhetayeva, Gulshat Z. Beysembaeva, Yrysgul B. Shakaman
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引用次数: 1

摘要

神经靶向在理解集体无意识和个人行为时优先考虑情绪。比较情感语言学揭示了跨文化情感表达的差异。尽管广泛的情绪研究,差距仍然存在,由于不同的反应规范。心理学很好地理解了情绪,但缺乏普遍的分类,阻碍了语言描述。情感和情绪之间的混淆模糊了心理生理和语言的区别。非语言情绪反映情绪,需要分析其产生和表达机制。本研究考察了哈萨克斯坦作家努尔佩索夫的《血与汗》和美国作家德莱塞的《欲望三部曲》中颜色在传达负面情绪中的作用。作者使用语言和非语言的方法来描绘情感。假设:颜色作为情感状态指定功能具有“允许-不可接受”和“好-坏”评价,在塑造情感现实感知中表现明显。分析色彩主义的负面情绪揭示了民族文化隐喻模式,将情感色彩词与基本情感概念联系起来。研究结果有助于标准化理解心理体验和比较情感语言术语的认知机制。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Negativizing emotive coloronyms: A Kazakhstan-US Ethno-Psycholinguistic comparison
Neurotargeting prioritizes emotions in understanding collective unconscious and individual behavior. Comparative emotive linguistics reveals cross-cultural emotional expression variations. Despite extensive emotion research, gaps remain due to differing response norms. Psychology understands emotions well, but lacks universal classification, hindering linguistic description. Confusion between emotion and emotive obscures psychophysiological and verbal distinctions. Nonverbal emotives, reflecting emotions, require analysis of generation and expression mechanisms. This study examines color's role in conveying negative emotions in Kazakh writer A. Nurpeisov's "Blood and Sweat" and American writer T. Dreiser's "Trilogy of Desire." Authors use linguistic and nonverbal methods to portray emotions. Hypothesis: color as emotive state designation functions with "permissible-unacceptable" and "good-bad" evaluations, evident in shaping emotional reality perception. Analyzing coloristic negative emotives uncovers ethno-cultural metaphorical models, connecting emotive coloronyms with basic emotional concepts. Findings aid standardizing cognitive mechanisms for understanding mental experiences and comparative emotive linguistic terminology.
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