旧政权与新政权之间的莫林收藏

Q1 Arts and Humanities
Arianna Candeago
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 Starting from the cross-analysis of printed texts, manuscripts and works of art preserved in the city’s museums, the essay reflects on the impact that the political, social and cultural upheavals triggered by the fall of the Serenissima had on the taste of the conservative Venetian nobility. In particular, it examines the case of Girolamo Ascanio Molin (1736–1814), a politician, scholar and writer who, between the late 18th and early 19th century, built an extensive collection, whose physiognomy evolved according to the historical context, the frequentations of the senator, the opportunities provided by art markets and the self-representation strategies adopted by the patriciate in response to the New Regime.
 
 
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 Starting from the cross-analysis of printed texts, manuscripts and works of art preserved in the city’s museums, the essay reflects on the impact that the political, social and cultural upheavals triggered by the fall of the Serenissima had on the taste of the conservative Venetian nobility. In particular, it examines the case of Girolamo Ascanio Molin (1736–1814), a politician, scholar and writer who, between the late 18th and early 19th century, built an extensive collection, whose physiognomy evolved according to the historical context, the frequentations of the senator, the opportunities provided by art markets and the self-representation strategies adopted by the patriciate in response to the New Regime.
 
 
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引用次数: 0

摘要

& # x0D;& # x0D;& # x0D;本文从对城市博物馆中保存的印刷文本、手稿和艺术作品的交叉分析开始,反思了塞雷尼西马(Serenissima)的衰落引发的政治、社会和文化动荡对保守的威尼斯贵族品味的影响。特别地,它研究了吉罗拉莫·阿斯卡尼奥·莫林(1736-1814)的案例,他是一位政治家、学者和作家,在18世纪末和19世纪初之间,他建立了一个广泛的收藏,其外观根据历史背景、参议员的频率、艺术市场提供的机会和贵族为响应新政权而采取的自我表现策略而演变。& # x0D;& # x0D;
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Molin Collection Between the Old and New Regime
Starting from the cross-analysis of printed texts, manuscripts and works of art preserved in the city’s museums, the essay reflects on the impact that the political, social and cultural upheavals triggered by the fall of the Serenissima had on the taste of the conservative Venetian nobility. In particular, it examines the case of Girolamo Ascanio Molin (1736–1814), a politician, scholar and writer who, between the late 18th and early 19th century, built an extensive collection, whose physiognomy evolved according to the historical context, the frequentations of the senator, the opportunities provided by art markets and the self-representation strategies adopted by the patriciate in response to the New Regime.
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来源期刊
Acta Historiae Artis Slovenica
Acta Historiae Artis Slovenica Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.60
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0.00%
发文量
10
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