“他们在战争中瓜分了遗产”:托尔斯泰在20世纪遗产文本中的传统

Elena Yu. Knorre
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引用次数: 0

摘要

本文首次对托尔斯泰作品中的庄园主题与战争主题的交集进行了重构。事实证明,在托尔斯泰致力于战争和革命斗争的作品中,庄园起着情节的作用。文章作者以《高加索囚犯》、《神与人》、史诗小说《战争与和平》为例,追溯了浪子浪子回到父亲家的主题,以及他的“离开”(“孤立”)、“考验”和“回归”(“与世界建立新的联系”)的主要阶段。在这个情节中,战争似乎是一个充满考验的空间,是灵魂在回归真正家园的道路上的开始。综上所述,我们可以得出这样的结论:托尔斯泰所描绘的理想庄园和住宅是反对战争的,并且与象征着“上帝的王国”的伊甸园(一个葡萄园)的圣经主题有关。托尔斯泰对理想庄园的理解范式是一种公正的管理和和平的形象,安抚了为上帝和人民服务的激情,这在20世纪的文学作品中对战争期间庄园的描述中起了决定性的作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“They Divided the Estate During the War”: L. N. Tolstoy’s Traditions in the Estate Text of the 20th Century
The article is the first to reconstruct the estate theme in L. N. Tolstoy’s works in its intersection with the war theme. It turns out that the estate in Tolstoy’s works dedicated to war and revolutionary struggle plays a plotforming role. Using the examples of the stories “Caucasian Prisoner,” “Divine and Human,” the epic novel “War and Peace,” the author of the article traces the motif of the prodigal son’s return to his father’s house, his main phases of “departure” (“isolation”), “test” and “return” (“gaining new connections with the world”). War in this plot scheme appears as a limenal space of testing, the initiation of the soul on the path of returning to its true home. Summing up the results, it can be concluded that Tolstoy’s images of an ideal estate and house are opposed to war and are associated with biblical motifs of the Garden of Eden, a vineyard, symbolizing the “kingdom of God.” Tolstoy’s paradigm of the perception of the ideal estate as an image of righteous management and peacemaking, pacification of passions in serving God and people, becomes decisive in the depiction of the estate during the war in the literature of the 20th century.
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