丑陋的受众

IF 0.6 1区艺术学 0 MUSIC

ETHNOMUSICOLOGY Pub Date : 2023-10-01 DOI:10.5406/21567417.67.3.07

Nadia Chana

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引用次数: 0

摘要

本文以伊努克歌手Tanya Tagaq和格陵兰面具舞者Laakkuluk Williamson Bathory的合作为例，对一种我称之为“丑陋的公众”的主导公众形式进行了理论分析。丑陋的公众依赖于观众(房间里的人)和公众(不完全是人，依赖于一系列文本)之间的差异而产生。当占主导地位的公众被压制并感受到与少数派立场相关的情感时，丑陋的公众就会产生。至关重要的是，在丑陋的公众中，这些感受不是来自于对少数群体的同情，而是来自于面对他们自己的主导地位。

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Ugly Publics

Abstract This essay takes up a collaboration between Inuk singer Tanya Tagaq and Greenlandic mask dancer Laakkuluk Williamson Bathory to theorize a form of dominant public I call an “ugly public.” Ugly publics rely on the difference between audiences (the people in the room) and publics (which are not quite people and rely on a series of texts) to come into being. Ugly publics result when a dominant public is pinned down and made to feel feelings associated with minoritarian positionings. Crucially, in ugly publics, these feelings do not result from empathizing with minoritarian subjects but rather from confronting their own dominance.

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来源期刊

ETHNOMUSICOLOGY MUSIC-

CiteScore

1.30

自引率

14.30%

发文量

期刊介绍： As the official journal of the Society for Ethnomusicology, Ethnomusicology is the premier publication in the field. Its scholarly articles represent current theoretical perspectives and research in ethnomusicology and related fields, while playing a central role in expanding the discipline in the United States and abroad. Aimed at a diverse audience of musicologists, anthropologists, folklorists, cultural studies scholars, musicians, and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Peer-reviewed by the Society’s international membership, Ethnomusicology has been published three times a year since the 1950s.