“如果我们是野蛮人呢?”《疯狂的麦克斯》跨媒体作为思辨人类学

IF 0.1 0 RELIGION
William S. Chavez, Shyam Sriram
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引用次数: 0

摘要

通过近代的方法论(投机人种学),我们将《疯狂的麦克斯》的跨媒体世界构建作为一种“剥削”形式进行分析。这个后世界末日的乡村科幻系列利用了澳大利亚殖民历史中产生的文化特定恐惧。《疯狂的麦克斯》是对澳大利亚末日及其后果的一种流行想象,是一场集体的国家噩梦,在那里,不久的未来澳大利亚——“澳大利亚”——陷入了几代殖民主义者话语所创造的野蛮状态。“最大的疯狂”,这个系列所知的倒退的技术、宗教和社会经济的荒地文化,标志着西方对土著和地方文化的谴责,延续了对原始主义的偷窥兴奋态度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“What If We Were Savage?” Mad Max Transmedia as Speculative Anthropology
Through a neoteric methodology (speculative ethnography), we analyze the transmedia worldbuilding of the Mad Max franchise as a form of “Ozploitation.” This post-apocalyptic rural sci-fi series exploits culturally specific fears generated from Australia’s colonial past. Mad Max is a popular imagining of the Australian eschaton and its aftermath, a collective national nightmare where near-future Australia—“Maxtralia”—plummets into the savagery invented by generations of colonialist discourse. “Maximum madness,” the retrogressive technological, religious, and socioeconomic wasteland culture for which the series is known, signifies a Western reproach to indigeneity and locative culture, perpetuating attitudes of voyeuristic excitement towards primitivism.
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来源期刊
Journal of Religion and Popular Culture
Journal of Religion and Popular Culture Arts and Humanities-Religious Studies
CiteScore
0.30
自引率
0.00%
发文量
27
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