The Educational Value of “HyeongaGwebeom(弦歌轨范)”

Eun-Sook Jo
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摘要

本研究以刘正教(1832-1893)于1887年完成《亨格文》作为教、学道的教育工具,并在《西书》中对亨格文教育做出实际贡献的事实为依据,提出了探讨《亨格文》教育价值的必要性。因此,本研究的目的在于辨析和审视朝鲜历代文学中“亨伽”的行为和表演目的的意义,并依次考察其确立自身地位的背景和依据,重新发现“亨伽”的教育价值。 总结讨论的结果,首先,“亨格威法”是俞正乔教育方法的全面和实质性成果,重点是亨格威法固有的教育价值,包括亨格威法教育所必需的主要音乐原理和理论,包括紫阳琴的制作和表演在内的图片材料。这被解释为在现实教育中直接实施的进一步挑战,即为《hyga》的表演建立独立的地位,并使《hyga》之前的意识形态和抽象意义具体化。其次,《吟歌纲目》是根据新儒家思想体系设计的用于叙事的实用教育材料,旨在实现通过吟歌作为史诗仪式来完成社会和民族音乐的民族美德。第三,“亨氏国风”负责在直接演奏亨氏的“玄”和“嘎”时,插入《紫阳琴》的制作和演奏方法的图片,并使诗歌和《律歌》的歌词更容易演唱,从而确保专一性和实用性的教育功能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Educational Value of “HyeongaGwebeom(絃歌軌範)”
This study raised the necessity of discussing the educational value of “HyeongaGwebeom” based on the fact that Yoo Jung-gyo(柳重敎, 1832-1893) completed “HyeongaGwebeom” in 1887 as an educational tool to teach and learn Do(道) and actually contributed to Hyeonga education in his Seosa (書社). Accordingly, the purpose of this study is to distinguish and examine the meaning of Hyeonga's behavior and purpose of performance in various literature of the Joseon Dynasty, and to rediscover the educational value of “HyungaGwebeom” by sequentially considering the background and basis for establishing its own status. To summarize the results of the discussion, first, "HyeongaGwebeom" is a comprehensive and substantive result of Yoo Jung-gyo's educational method, focusing on the educational values inherent in Hyunga(絃歌), including major music principles and theories essential for Hyunga education, picture materials including the production and performance of JaYanggeum(紫陽琴). This is interpreted as a further challenge directly implemented in real education by establishing an independent status for the performance of Hyunga(絃歌) and giving concreteness to the previous ideological and abstract meaning of Hyunga(絃歌). Second, "HyeongaGwebeom" was designed as a practical educational material for Ak(樂) used in narrative according to the Neo-Confucian thought system, and aims to realize the national virtue of completing social and national music through Hyeonga as an epic ritual. Third, "Hyunga Gwebeom" was in charge of securing specificity and practical educational functions such as inserting pictures of the production and performance methods of Jayanggeum to directly perform Hyunga's "Hyun" and "Ga," and making it easier to sing the lyrics of poetry and Yuljabo(律字譜).
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