未来之乡

IF 0.2 3区文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN

DAPHNIS-ZEITSCHRIFT FUR MITTLERE DEUTSCHE LITERATUR Pub Date : 2023-03-10 DOI:10.1163/18796583-12340079

Luisa Drews, Patrick Hohlweck, Stefan Willer

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引用次数: 0

摘要

本文的主题是在德语巴洛克文学的各种体裁中形成的对未来的时空表现。通过三个例子——田园牧歌(马丁·奥皮茨)，宗教诗歌和赞美诗(安娜·奥维纳·霍耶斯)，以及颂歌(安德里亚斯·格里菲乌斯)——作者研究了17世纪作品中如何探索迫在眉睫的、预期的、计划的、预期的或恐惧的状态，即它们是如何在过程和媒介上组成的，以及它们在每种类型中占据的空间和位置。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Schauplätze des Künftigen

Abstract The subject of this article are spatiotemporal manifestations of the future as they are formed in various genres of German-language Baroque literature. Using three examples – pastoral (Martin Opitz), religious poetry and hymns (Anna Ovena Hoyers), as well as Trauerspiel (Andreas Gryphius) – the authors examine how imminent, expected, planned, anticipated, or feared states are explored in 17 th -century works, i.e., how they are composed processually and medially, and which spaces and places they occupy in each genre.

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来源期刊

DAPHNIS-ZEITSCHRIFT FUR MITTLERE DEUTSCHE LITERATUR LITERATURE, GERMAN, DUTCH, SCANDINAVIAN-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Der "Daphnis" ist als Organ für die Erforschung der deutschen und neulateinischen Literatur vom Ausgang des 14. Jahrhunderts bis zur Mitte des 18. Jahrhunderts konzipiert worden. Er berücksichtigt darüber hinaus unter komparatistischem Aspekt auch die Beziehungen der Mittleren Deutschen Literatur zu den europäischen Literaturen dieses Zeitraums und widmet sich Problemen der frühneuhochdeutschen und neulateinischen Sprache.